Nas, Hip Hop is dead, 2006.
Iron Butterfly, In-A-Gadda-Da-Vida, 1968.
Incredible Bongo Band – In-A-Gadda-Da-Vida, 1973
The Simpsons – In the Garden of Eden – S07E04
You've got to dig to dig it, you dig?
Nas, Hip Hop is dead, 2006.
Iron Butterfly, In-A-Gadda-Da-Vida, 1968.
Incredible Bongo Band – In-A-Gadda-Da-Vida, 1973
The Simpsons – In the Garden of Eden – S07E04
It was a fine evening and a fine
conclusion they were coming to,
thought the fox, helping
the chicken out of ?her feathers.
Fable, Andrea Cohen
Michael Giacchino, Meow and You and Everyone We Know, The Batman (Original Motion Picture Soundtrack)
“Flattery, deference, smiles, ringing laughter, affectionate greetings were the order of the day.”
“We had been loved, I say, and remembering us, even many years later, people would smile, briefly gladdened at the memory.”
George Saunders
Spend all you have for loveliness,
Buy it and never count the cost
Barter, Sara Teasdale
Mapping (Almost) Every Tree In Central Park by Margot Adler (2011)
The air smells soft today and of the past,
redbuds dispersing their ruby secrets,
myself among them.
Ghosting Aubade, Amie Whittemore
“the gift of being allowed, every day, to wander this vast sensual paradise,”
“pausing beneath trees to exchange strange confidences withheld during many years of seclusion.”
George Saunders, Lincoln in the Bardo: A Novel
registers describe psychic development: an infantile experience of embodiment and umbilical reciprocity (imaginary) matures into the mediations of language (symbolic), while an inkling of something inaccessible and unspeakable is retroactively effected by this progression (real).
The psychoanalyst Jacques Lacan posits the imaginary, the symbolic, and the real as the three distinct but interdependent orders of psychic experience. These reframe Sigmund Freud’s topography of the ego, the superego, and the id, respectively, elucidating that the domains of the subject are also objective realms of the social. The imaginary is the register of images, identifications, wholes, and projections; the symbolic is the register of language, institutions, norms, laws, practices, and order; the real is the register of what catalyzes the imaginary and eludes the symbolic—the impossible, the unrepresentable, the material, the contradictory or unmeaningful. – Kornbluh
a sensation of immediacy not only as rapidity but as fullness, the instant as intense presence, an “always on,”
[…]Whether or not technological advances in image circulation have a net democratizing effect (as many media scholars argue), and whether or not circulation can dispel the crisis of production, it is certain that they reconfigure cognition and affect.