Category: landscape

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Zadie Smith on what art is for. (New York Review)

“Its distance from the prerogatives of the powerful is precisely where its force of resistance lies. And if Forster could insist on something like this vision of art in the wreckage of World War II, then that is the very least I can do now.

[…]

I am on the wrong side of history and always will be, along with any artist who reserves the right to make art for her own sake, for the sake of art itself, and for the sake of her fellow humans.”

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Diminishing chords
Linger in the ear
dissolve into ether
Taking Love and melancholy
Ingredients
for alchemy
To return to
this world

Sun Ra Ethos, Voice Porter

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The xx, Infinity.

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[Robert Creeley] in Contemporary Poets: “I write to realize the world as one has come to live in it, thus to give testament. I write to move in words, a human delight. I write when no other act is possible.” Asked about “good” poems, Creeley, who had written in the introduction to Best American Poetry 2002 that the poem is “that place we are finally safe in” where “understanding is not a requirement. You don’t have to know why. Being there is the one requirement,” responded, “If one only wrote ‘good’ poems, what a dreary world it would be.” (Poetry Foundation)

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I like to find
what’s not found
at once, but lies

within something of another nature,
in repose, distinct.
Gull feathers of glass, hidden

in white pulp: the bones of squid
which I pull out and lay
blade by blade on the draining board—

   tapered as if for swiftness, to pierce   
   the heart, but fragile, substance
   belying design.               Or a fruit, mamey,

cased in rough brown peel, the flesh
rose-amber, and the seed:
the seed a stone of wood, carved and

polished, walnut-colored, formed
like a brazilnut, but large,
large enough to fill
the hungry palm of a hand.

I like the juicy stem of grass that grows
within the coarser leaf folded round,
and the butteryellow glow
in the narrow flute from which the morning-glory
opens blue and cool on a hot morning.

Pleasures, Denise Levertov

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I dreamt last night
the fright was over, that
the dust came, and then water,
and women and men, together
again, and all was quiet
in the dim moon’s light.

A paean of such patience—
laughing, laughing at me,
and the days extend over
the earth’s great cover,
grass, trees, and flower-
ing season, for no clear reason.

For No Clear Reason, Robert Creeley

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What
has happened
makes

the world.
Live
on the edge,

looking.

Here, Robert Creeley

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Bertrand Russell on useless knowledge and idleness via The Marginalian.

“a certain richness and freedom in art and speculation”
“Perhaps the most important advantage of “useless” knowledge is that it promotes a contemplative habit of mind. There is in the world too much readiness, not only for action without adequate previous reflection, but also for some sort of action on occasions on which wisdom would counsel inaction…”
“A habit of finding pleasure in thought rather than in action is a safeguard against unwisdom and excessive love of power, a means of preserving serenity in misfortune and peace of mind among worries.”
“it is a matter of individual psychology, is to be found in history, biology, astronomy, and all those studies which, without destroying self-respect, enable the individual to see himself in his proper perspective. What is needed is not this or that specific piece of information, but such knowledge as inspires a conception of the ends of human life as a whole: art and history, acquaintance with the lives of heroic individuals, and some understanding of the strangely accidental and ephemeral position of man in the cosmos — all this touched with an emotion of pride in what is distinctively human, the power to see and to know, to feel magnanimously and to think with understanding. It is from large perceptions combined with impersonal emotion that wisdom most readily springs.“

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In-between the sun and moon,
I sit and watch
and make some room
for letting light and twilight mingle,
shaping hope
and making single glances last eternity,
a little more,
extending love beyond the doors of welcoming,
while wedding all the parted people,
even sons to violent mothers,
and searching all the others finding light
where twilight lingers,
in-between the sun and moon.

In-between the sun and moon, Pádraig Ó Tuama

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The Sandbaggers, British spy television series, 1978 – 1980.

How the Pentagon Started Taking U.F.O.s Seriously, by Gideon Lewis-Kraus (NewYorker, 2021)

r-p-o-p-h-e-s-s-a-g-r, E. E. Cummings

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it fills him with a great and irresistible longing, the bright, leaping colour, the blast of warmth to his face, the array of fascinating implements to stoke and poke and grip.

It seems extraordinary to him to be in such close proximity to a creature which is so emphatically from another element, from wind or sky or perhaps even myth.

can usually be persuaded with a few words

(Maggie O’Farrell)

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The Morning Star flies from the clouds and the bird cries to the dawn.
Amaryllis, awake! Lead your snowy sheep to pasture while the cold grass glitters with white dew.
To-day I will pasture my goats in a shady valley, for later it will be very hot.
Among those distant hills lies a very great valley cut by a fair stream.
Here there are cold rills and soft pasture and the kind wind engenders many-coloured flowers.
Dear, there I shall be alone, and if you love me, there you will come alone also.

Fête Gallante, Marcantonio Flaminio, translated from Latin by Richard Aldington

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Fêtes Vénitiennes, Jean-Antoine Watteau. 1718-1719