
2009
Acrylic paint, ink, screenprint, and cut-out marks o n paper.
30 x 22 inches.
You've got to dig to dig it, you dig?






Barter economies have concepts of “need” and of “use,” while commodity economies, where production is undertaken for the purpose of exchange and accumulation, have concepts of “value.” – Anna Kornbluh


Confluent inchoate figures marshal some fixity or rather a persistency within the formless.
New York Martinis. Tempting!

i am trying to tell you something about how
rearranging words
rearranges the universe
generation of feeling, Marwa Helal

Moira Donegan in Conversation with Merve Emre on The Critic and Her Publics; New York Review and Lithub.
“In this sentence—“that a new majority, adhering to a new ‘doctrinal school,’ could ‘by dint of numbers’ alone expunge their rights”—that “dint of numbers” is a scathing phrase. Justices on the Supreme Court are not as mean to one another as I sometimes, as a court observer, would hope they would be. When there is a pointed line like that, it’s something to pay attention to. She’s saying what we all know, which is that the law does not support this decision, the facts do not support this decision, the will of the people does not support this decision, and the spirit of our constitution does not support this decision. You are not doing it because you have real legitimacy to do it. I think that’s a tricky conundrum we find ourselves in as feminists and as Americans: we’re facing organs of political power that cannot be moved by threats to their legitimacy, that are content to be seen as illegitimate in the eyes of the public so long as they have numbers.”

Cecilia Vicuña, What Is Poetry to You? 1980 or 1990(?)(22:30). 23 minutes. Courtesy of Electronic Arts Intermix (EAI), New York. via e-flux

How should we interpret these stories of flying and bilocating, of demons and chapped nipples? Of the body and its impossible desires? Eire’s approach is idiosyncratic. Across his scholarship he has aimed to “re-enchant” history, in the words of Ronald Rittgers. Eire understands modern secularism as its own kind of methodology, with its own interpretive shortcomings. Atheism, as much as faith, shapes the questions we ask of our sources and limits the possibilities of interpretation.
[…]
Faith—and especially lived faith, not abstract theology—can make history, too. “Belief is the immortal soul of the imagination,” Eire writes at the close of They Flew, and the power of belief to make history “can be limitless.”
As Eire and others have argued, secularism involves its own, often unacknowledged assumptions about historical interpretation.
Wings of Desire, Erin Maglaque, NYRB