Romare Bearden, Untitled, 1980s(?). DC Moore Gallery.
Thomas Allen, Ronchini.
Teresa Gierzynska, Gunia Nowik Gallery.
You've got to dig to dig it, you dig?
Romare Bearden, Untitled, 1980s(?). DC Moore Gallery.
Thomas Allen, Ronchini.
Teresa Gierzynska, Gunia Nowik Gallery.
For Cheryl Boyce-Taylor and her Malik, our Phife
& I immediately think of Cheryl, her Malik, his beloved
obsession with the team’s orange & blue, a sunset sky over
this city. The ruckus of these players’ sweet grit, the desire they
have to come in first. They rebound & strip like stickup
kids. They pound the paint as if their feet were wrapped in
Timbs, their lean torsos tattered & tapered in Coogi sweaters.
This is New York. Bodega filled with the aroma of a good
chopped cheese. Ambitions racing through our minds fast as
the 2 train during rush hour. I watch the reverie on TV, as
the Garden thrashes & quakes by the tectonic plate of our
steadfast fandom. Don’t get it twisted, capitalism is dying
& yet here I am rooting for boys bred to burn out their bodies
to make billionaires more billions. Was this what Rome felt like
toward the end? When the colosseums filled with gladiators
stirred the masses into a frenzy. How the people hungered for
food & freedom, but instead lost themselves in the carnal play
of sacrifice—reliable warriors, safer to believe in than
Caesar. No matter, I think Phife would’ve loved this team,
unflappable & carefree, anti-establishment, uncompromising.
What happens to the heart of a city when its people survive
on air; that space between the flick of the wrist & the swish
of a three-point buzzer beater? We fight for a win to fill
the ache of losing: Palestine, Congo, Sudan, Ayiti. We take
what we can, celebrate small victories until we win everything
we thought we never could—
As Capitalism Gasps for Breath I Watch the Knicks Game, Yesenia Montilla
Everything they say and write is a lie,
about law and freedom, about equality
and justice, in the rubble of the bombs
we make and sell, in the silent cries
of limbless orphans, in the night
lit by white phosphorous and the
relentless sound of buzzing drones.
My Apologies, Ammiel Alcalay
Lucila Garcia de Onrubia at Calvaresi at Nada
unsignificantly
off the coast
there was
a splash quite unnoticed
this was
Landscape with the Fall of Icarus, William Carlos Williams
MNP at Untitled Art Fair.
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouth with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile, but oh great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile,
But let the world dream otherwise,
We wear the mask!
As if some little Arctic flower,
Upon the polar hem,
Went wandering down the latitudes,
Until it puzzled came
To continents of summer,
To firmaments of sun,
To strange, bright crowds of flowers,
And birds of foreign tongue!
I say, as if this little flower
To Eden wandered in —
What then? Why, nothing, only,
Your inference therefrom!