Flanerie or wander or a reach

What aren’t you willing to believe. A heart  
graffitied fuchsia on the street, a missive from another life.
Remember the stem of lavender you found
in a used copy of Bishop’s poems, a verse underlined:  
The world is a mist. And then the world is
minute and vast and clear. Suddenly, across the aisle  
a woman with your mother’s bracelets, her left wrist  
all shimmer and gold, you almost winced.  
Coincidence is the great mystery of the human mind
but so is the trans-oceanic reach of Shah Rukh Khan’s  
slow blink. Each of us wants a hint, a song
that dares us to look inside. True, it takes whimsy  
and ego to believe the universe will tap your shoulder  
in the middle of a random afternoon. That t-shirt  
on a stranger’s chest, a bumper sticker on the highway upstate.  
Truth isn’t going anywhere. It’s your eyes passing by.

Sign, Sahar Romani


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Text. Physiologie du flâneur / par M. Louis Huart; vignettes de MM. Alophe, Daumier et Maurisset, 1841. internetactu.blog.lemonde.fr, 2012.

nodalmarker+flaneur

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Aria Dean argues the difficulty of black flânerie. But wandering may be utopian at levels beyond the utility. Its privilege may be, as des “gestes” artistiques, in the sphere of thought, language, and geography. A privilege that leans on a poetic, une poétique de la Relation : “l’imaginaire de mon lieu est relié à la réalité imaginaire des lieux du monde, et tout inversement.” (Édouard Glissant, Discours Antillais au Tout Monde)

AG2024_1134189a or in  many a poem about green

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Lawns  and  fields  and  hills  and  wide  old   velvet
sleeves, green things.  They stretch, fold, roll away,
unfurl  and  calm the  eye.  Look  lush  in paintings.
Battles are fought on greens.  Or  you could spread
a meal  and  sup.  How  secretly  they  lie,  floors  of
distant forests.  Next  comes  the grave,  in  many a
poem about green. But this is not a poem. This is a
billboard for frozen green peas.  Frozen green peas
are good for pain.

Short Talk on Pain, Anne Carson

another world just waiting

studio window

This is my first memory:A big room with heavy wooden tables that sat on a creaky       wood floorA line of green shades—bankers’ lights—down the centerHeavy oak chairs that were too low or maybe I was simply       too short              For me to sit in and readSo my first book was always bigIn the foyer up four steps a semi-circle desk presidedTo the left side the card catalogueOn the right newspapers draped over what looked like       a quilt rackMagazines face out from the wallThe welcoming smile of my librarianThe anticipation in my heartAll those books—another world—just waitingAt my fingertips.

My First Memory (of Librarians), Nikki Giovanni