Let Negroes smell the breeze So they can sing with ease Sweet freedom’s song; Let justice reign supreme, Let men be what they seem Break up that lyncher’s screen, Lay down all wrong.
if we stand together there is nothing that we cannot accomplish bottom line let us go forward and fight for a government and an economy that works for all not just a few we simply
Arrest occurs at a point of inconcinnity between the actual and the possible, a blind point where the reality of what we are disappears into the possibility of what we could be if we were other than we are. But we are not. (AC)
And from the Journal: “‘It is difficult to know exactly how to make money on AI,’ said Mike Ogborne, founder of Ogborne Capital Management, a hedge-fund firm in San Francisco that oversees a position in Nvidia. ‘This could be the first day of a lot more pain.’” “It is difficult to know exactly how to make money in AI” does seem like an essential aspect of the AI trade; we have talked about OpenAI’s claim that “it may be difficult to know what role money will play in a post-[artificial general intelligence] world,” and also about a venture capital bet that the way to make money on AI is by buying up homeowners’ association management companies. But the actual answer turns out to be “build a cheap AI model and short Nvidia.” —Matt Levine, Bloomberg Opinion Money Stuff.
Serious thoughts need different cultivation and time to grow; planted as seeds of living speech in the ground of an appropriate soul, they will take root, ripen, and bear fruit as knowledge in due season
Written texts make available the notion that one knows what one has merely read.
From Plato’s Phaedrus, via Anne Carson’s Eros the bittersweet.
McKenzie Wark (2009): Détournement, Angelaki: Journal of the Theoretical Humanities, 14:1, 145-153
Détournement attacks a kind of fetishism, where
the products of collective human labour in the cultural realm become mere property. But what is distinctive about this fetishism is that it does not rest directly on the status of the thing as a commodity. It is, rather, a fetishism of memory. Not so much commodity fetishism as co-memory fetishism – collective remembrance as fetish. And what is distinctive about détournement is that it can restore to the fragment the status of being a recognisable part of the process of the collective production of meaning in the present, through the combination of the détourned fragment into a new meaningful ensemble. Détournement frees the process of creation from the private property of the image.