Molecular Gastronomy

This is the new-ish cuisine which takes in scientific processes and is focused on the delivery of flavor to the palette. One(taken from this NYT article featuring Grant Achatz, the chef at Alinea in Chicago) of the many experiments/ideas involves ‘solid sauces’.

For some time now, Achatz has been experimenting with jellies to create “solid sauces” — thin, flavorful liquids given mass and viscosity through a variety of techniques. The sauces evolved, he explained, from a recent period using vegetable purées to accompany meats and fish. “I thought it would be interesting to turn a sauce into a purée,” he said. “To make a purée, you just stick a solid in the blender. The challenge was turning a liquid into a purée. To purée a liquid, I realized I had to turn it into a solid and then purée the solid.”To create his solids, he works with different gelling agents, from gelatin to seaweed extracts like agar and carrageen. Achatz’s first solid sauce was a yuzu fluid gel, which he made by heating the fragrant citrus juice with agar, cooling it to set, then puréeing the resulting jelly into a puddinglike sauce, which he served with sugar snap peas, yogurt and ham.

With solid sauces, Achatz explains, “flavor release” is key. Jellies are essentially flavor elements suspended in a neutral medium. Bound in their carrier matrix, the flavor molecules are relatively inaccessible to the taste buds, so the jelly is first experienced primarily as texture. At a certain temperature, different for each agent, the molecular mesh relaxes and the flavor is released. With gelatin, this occurs at body temperature; in Achatz’s Mussel Cream With Mint and Chamomile Jelly, the herbal flavor blooms in the mouth as the gelatin melts.

For many sauces, Achatz uses agar, which remains firm at body temperature; puréeing the set jelly keeps the sauce thick while allowing flavor release. The resultant liquid gel is intensely flavored but thick and glossy, like his jet black soy liquid gel, which he recently served as part of a casually deconstructed Thai salad with Kobe beef, melon and cucumber.

This all sounds cool and all. But I think this might be useful in many a sci-fi kitchen. It seems to be something a food replicator should be able to synthesize.

Miami Art Museum and its new building

The Herald reported on recent development of the MAM‘s moves toward a new building. The Board of Trustees and Terence Riley went on a world tour studying museum buildings, taking notes on architects and creating their own short list. Because the Board is putting up the money to hire and pay the main architect, they will forgo a competition and they will simply hire one.

And so,

On Sept. 14, Riley plans to present the finalists’ names — and his single preferred choice — to a three-person selection panel. Panelists will debate, hear public comment and vote in an open session at the museum’s current downtown home.

At the selection meeting, Riley will discuss each finalist’s work ”and then explain in a convincing fashion hopefully to the public and the board why one particular candidate stands out in my mind,” he said. Riley said he has not settled on that name.

Once an architect is selected, Riley said he expects work to start ”the next day.” A conceptual design could be done in six months, with a final plan due in 2008.

This is potentially good. I hope the room will be packed with those who want to voice their opinions. There will be a building at Bicentennial and it will be built for a greater art-viewing public. My concerns are that we get a big ugly white elephant. I think this is an opportunity to erect a great civic building. Not a private and exclusive place, like a sport stadium or a condo or a club, but a truly public place, a place for the mass, a place for us all.

WLRN

I am not sure why WLRN waste money hiring a company to make it more difficult than it has to be to stream their programming online. I am not sure why they dont follow the lead of radio stations like KRCW or Minneapolis Public Radio; those organizations’ websites focus on access to the myriads of programs they broadcast and providing convenience tailored to the user.

Anyway, here is the unobfuscated link to WLRN’s webstream.

a good review

I really enjoy reading or listening to a good review. The works of critics like John Powers, Bob Mondello, Jerry Saltz, Micheal Kimmelman, Maurren Corrigan, A.O. Scott and Elvis Mitchell are very enjoyable. All of these critics ‘writings avoid five-star-systems and references to Caesar’s thumbs. At their best, the critiqued works are presented, taken apart, its inwards spread about; the works (film, art, music or literature) are seen as a whole, and seen within its discipline and against or as part of greater culture.

A.O. Scott’s review of Miami Vice is a good example. He referenced some plot details (Tubbs and Crokett are deep under cover), set locations (Miami, Haiti, Paraguay, The Dominican Republic standing in for Cuba), Michael Mann’s manly characters (Al Pacino in Heat, Tom Cruise in Collateral Damage; he doesn’t really write of their style), Mann’s usage of music and pyrotechnics as Wagnerian, some abstract sequences in the manner of Stan Brakhage, and Colin Farrell’s lack of presence in the movie.

miami_vice_2006.jpg