Author: dig
En el jardín botanico
AG2020_1960142a
Solvitur ambulando (It is solved by walking) – Saint Augustine.
“I wanted to walk in this impossible place, to walk on the line of my vision, or along the edge of my imagination.” from Touch, 2002, by Janine Antoni. via sophiesiem
Divola
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
galleryluisotti.com
John Divola, “As Far as I Could Get” “As Far As I Could Get” is the first over-arching presentation of Divola’s work and is a collaborative project led by the Santa Barbara Museum of Art (SBMA), shown simultaneously at SBMA, the Los Angeles County Museum of Art (LACMA), and the Pomona College Museum of Art (PCMA) in the fall of 2013.
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
Archival digital black & white pigment print
34 x 24 inches, 64 x 44 inches
officebaroque.com
officebaroque.com
February 2020, edition of 800, hardcover, 20x24cm, 80 pages
Designed by Federico Carpani. Text/Interview by David Campany (essay, 2006).
Divola’s website.
Yakushima
For future consideration.
Moments of life that slowly unfolds its intimacy with the world –Roy DeCarava
David Zwirner is pleased to present concurrent exhibitions of photographs by Roy DeCarava (1919–2009) at two of its New York locations: 34 East 69th Street and 533 West 19th Street. This will be the gallery’s first presentation of the artist’s work since announcing exclusive representation of the Estate of Roy DeCarava in 2018. The exhibitions will be accompanied by a new catalogue, copublished by First Print Press and David Zwirner Books, featuring an essay by art historian Sherry Turner DeCarava. (Dates : September 5—October 26, 2019)
The pictures capture a moment of life that slowly unfolds its intimacy with the world—the strong, youthful beauty of a Mississippi freedom marcher, the nature of trees … all rendered through a translucency of surface with palpable detail recorded in the darkest areas.
Turner DeCarava notes in her catalogue essay.
Wall Street, morning, 1960
Silver gelatin print
Print: 14 x 11 inches (35.6 x 27.9 cm) Framed: 20 3/8 x 16 3/8 inches (51.8 x 41.6 cm)
© The Estate of Roy DeCarava 2019. All Rights Reserved.
Swan, 1998
Silver gelatin print
Print: 11 x 14 inches (27.9 x 35.6 cm) Framed: 16 3/8 x 20 3/8 inches (41.6 x 51.8 cm)
© The Estate of Roy DeCarava 2019. All Rights Reserved.
Figure, 1967
Silver gelatin print
Print: 11 x 14 inches (27.9 x 35.6 cm) Framed: 16 3/8 x 20 3/8 inches (41.6 x 51.8 cm)
© The Estate of Roy DeCarava 2019. All Rights Reserved.
Ellington session break, 1954
Silver gelatin print
Print: 11 x 14 inches (27.9 x 35.6 cm) Framed: 16 3/8 x 20 3/8 inches (41.6 x 51.8 cm)
© The Estate of Roy DeCarava 2019. All Rights Reserved.
Curved branch, 1994
Silver gelatin print
Print: 11 x 14 inches (27.9 x 35.6 cm) Framed: 16 3/8 x 20 3/8 inches (41.6 x 51.8 cm)
© The Estate of Roy DeCarava 2019. All Rights Reserved.
Grass, 1991
Silver gelatin print
Print: 11 x 14 inches (27.9 x 35.6 cm) Framed: 16 3/8 x 20 3/8 inches (41.6 x 51.8 cm)
© The Estate of Roy DeCarava 2019. All Rights Reserved.
Achebe
Memory is necessary if surviving is going to be more than just a technical thing.
… Ibo proverb — “Wherever something stands, something else will stand beside it.”
via brainpickings
Related : Conversations with James Baldwin. Book.
“[Photo] of Chinua Achebe and James Baldwin in Florida, 1980. Where they met for the first time at a conversation between them organised as part of a conference hosted by the African Literature Association, in Gainesville, Florida.” via duroolowu.
