Author: dig

  • those that furthest elude me

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    boiling point, Kitano, 1990.

    And who delivers the worst?

    Schwartz: I didn’t love Zendaya as Athena, the only deity depicted onscreen. There is a heaviness and sorrow to that wise, ingenious goddess that obscured the character’s power and playfulness—a choice made by Nolan, no doubt to emphasize his dark themes.

    Brody: All of these actors are professionals, charismatic and persuasive; when a performance is off, it’s usually the director’s fault, as here, with Matt Damon, in the lead role of Odysseus. He portrays the character, as per Nolan’s script, as a reserved, terse, inexpressive, stoic American soldier—it’s not Damon’s fault that his performance, however committed and skillful, suggests nothing of the sly ruses and scheming quickness that mark Homer’s complex hero.

    via an interview with Caroline Mimbs Nyce, New Yorker Newsletter editor

    Richard Brody’s full review.


    A person protests to fate:

    “The things you have caused
    me most to want
    are those that furthest elude me.”

    Fate nods.
    Fate is sympathetic
    .

    To tie the shoes, button a shirt,
    are triumphs
    for only the very young,
    the very old.

    During the long middle:

    conjugating a rivet
    mastering tango
    training the cat to stay off the table
    preserving a single moment longer than this one
    continuing to wake whatever has happened the day before

    and the penmanships love practices inside the body.

    A Person Protests to Fate, Jane Hirshfield

  • all the loveliness that we shared

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    AG2005-DSCF2529

    I don’t know what to do

    ????? ????? two states of mind in me

    51: I don’t know what to do, translated by Anne Carson


    I have had not one word from her
    Frankly I wish I were dead.
    When she left, she wept
    a great deal; she said to
    me, This parting must be
    endured, Sappho. I go unwillingly.”
    I said, “Go, and be happy
    but remember (you know
    well) whom you leave shackled by love
    If you forget me, think
    of our gifts to Aphrodite
    and all the loveliness that we shared
    all the violet tiaras,
    braided rosebuds, dill and
    crocus twined around your young neck

    Sappho

  • Sunshine and shadow play amid the trees

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    AG2025_DSF6315a

    Sunshine and shadow play amid the trees
    In bosky groves, while from the vivid sky
    The sun’s gold arrows fleck the fields at noon, 
          Where weary cattle to their slumber hie.
    How sweet the music of the purling rill, 
    Trickling adown the grassy hill! 

    While dreamy fancies come to give repose
    When the first star of evening glows.

    July, Henrietta Cordelia Ray


    The Formalist on Bridget Hoffman.

    Nicole Combeau: When we Surrender.

    England vs Argentina (Messi), 1 – 2


    MOURGUE, Pierre. Vogue, July 15, 1933.
    MOURGUE, Pierre. Vogue, July 15, 1933.

  • Art or its silence

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    Satyr and Nymph
    Gerard van Honthorst (signed by artist), 1623
    A smiling nymph playfully tugs a satyr towards her by his goatee, clearly asserting control over him. Van Honthorst draws attention to her bare torso; her brightly illuminated white skin contrasts sharply with the satyr’s muscular physique and red head. By portraying the mythological figures up close, Van Honthorst draws us into this intimate scene.

    https://id.rijksmuseum.nl/200612824


    You can fall in love

    in a museum, but only

    with the art

    or its silence—or the stranger

    you don’t mean to follow

    …

    Diptych, Kevin Young

  • annealed through shared ambivalences

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    AG2025000000280027a

    [the] use [of] the structural productivity of ambivalence in order to make better forms of life

    Would inhabiting this help us open better imaginaries for jolting the good life into being … ?

    build something out of actively shared energy to feel more optimistic about the world

    (LB)


    Relationships annealed through shared ambivalences.

    Ongoing, Jenny Xie

  • Draw … to build worlds

    DRAW, cac-passerelle.com, 3 juil. — 17 oct. 2026

    to build worlds … without reproducing property relations, while continuing to reproduce other abjecting hierarchies related to class, race, and beauty. (LB)

  • here at the border where he signs the air

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    AG2019_1110337a-Underground

    The blackbird sings at
    the frontier of his music.
    The branch where he sat

    marks the brink of doubt,
    is the outpost of his realm,
    edge from which to rout

    encroachers with trills
    and melismatic runs sur-
    passing earthbound skills.

    It sounds like ardor,
    it sounds like joy. We are glad
    here at the border

    where he signs the air
    with his invisible staves,
    “Trespassers beware”—

    Song as survival—
    a kind of pure music which
    we cannot rival.

    Blackbird Etude, A.E. Stallings

  • even here … still; in the deep soulful stillness

    In the avoidance of that which we seek––
    The sudden silence and reserve when near––
    The eye that glistens with an unshed tear––
    The joy that seems the counterpart of fear, 
    As the alarmed heart leaps in the breast,
    And knows, and names, and greets its godlike guest––
                   Thus doth Love speak.

    […]

    Glance strikes with glance, swift flashing high and higher, 
    Like lightnings that precede the mighty storm; 
    In the deep soulful stillness; in the warm, 
    Impassioned tide that sweeps through throbbing veins,
    Between the shores of keen delights and pains;

    Love’s Language, Ella Wheeler Wilcox


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    AG2022-Document-021722-page003a