You might as well love

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The Facts of Life, Pádraig Ó Tuama

That you were born

and you will die.

That you will sometimes love enough

and sometimes not.

That you will lie

if only to yourself.

That you will get tired.

That you will learn most from the situations

you did not choose.

That there will be some things that move you

more than you can say.

That you will live

that you must be loved.

That you will avoid questions most urgently in need of

your attention.

That you began as the fusion of a sperm and an egg

of two people who once were strangers

and may well still be.

That life isn’t fair.

That life is sometimes good

and sometimes even better than good.

That life is often not so good.

That life is real

and if you can survive it, well,

survive it well

with love

and art

and meaning given

where meaning’s scarce.

That you will learn to live with regret.

That you will learn to live with respect.

That the structures that constrict you

may not be permanently constricting.

That you will probably be okay.

That you must accept change

before you die

but you will die anyway.

So you might as well live

and you might as well love.

You might as well love.

You might as well love.

.

This poem appeared in Sorry For Your Troubles by Pádraig Ó Tuama, published by Canterbury Press Norwich, 2013.

AG2026_1233097b or a moral allegiance to the world

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Sandrine Bergès on philosophy‘s rigid and also porous spheres for public life and the home, via readings of Aristotle, Hierocles, and Musonius Rufus. (aeon)

Hierocles the Stoic is famous among ancient philosophers for his account of Stoic oikeiôsis – moral development – as a progression through concentric circles starting from the desire for self-preservation to cosmopolitanism. Stoic moral development consists in first making oneself ‘at home’ in one’s body, then we reach out to those in the circles closest to us: parents and siblings, then to those farther from us – our other relatives and neighbours, our countrymen and women – and finally to the whole world. The concentric circles are important because they offer a clear and vivid explanation of what the Stoics mean when they declare that they owe moral allegiance to the entire world.


Scotland 1 – Haiti 0

New York Knicks, 2026 NBA Champions.

Things huge

la première introduction en Bourse techno-fasciste de l’histoire

Le succès de l’introduction en Bourse de l’entreprise spatiale est celui d’un capitalisme irrationnel, destructeur et violent.

(Mediapart)


Fearing madness in all things huge
and their requiring.

We Manage Most When We Manage Small, Linda Gregg


In his address (30 January 1981), [CLR] James located Walter’s assassination within the context of the Seizure of Power. (Verso)


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AG2026_1222371a or the vision of youthful striving

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[…]

Before the dawning
          Of my life;
I was the river
Forever winding
To purple dreaming,
I was the glowing
Of youthful Springtime,
I was the singing
Of golden songbirds,—

[…]

I was the vision
Of youthful striving,
I was the summer,
I was the autumn,
I was the All-time—
      I was love.

Revery, Fenton Johnson


“The quality of the gift depends on the sincerity of the giver.” (Ann Patchett)

Pleasure of the archive



In the new place which will be also the old place we will save useful things neatly, with backups, but not too many, not too much. Everyone will train in some archives, teaching methods & learning our shared reverence for research which is reverence for knowledge which is reverence for community which is reverence for being which is reverence for this earth & all universes. We will keep kitchen archives & garden archives & comms archives & decisions archives & process archives & experiment archives & we will consult these archives when we need background or inspiration or instruction, or for pleasure, the great pleasure of the archive, the great archive of pleasure; we will call this art, how we spend our days & nights.

Position Paper #53: National Archivist, Andrea Lawlor.


PXL_20260609_193506698

I care, I care about it all

“I care. I care about it all.

It takes too much energy not to care… The why of why we are here is an intrigue for adolescents; The how is what must command the living. Which is why I have lately become an insurgent again.”

-from Lorraine Hanshury’s play, The Sign in Sidney Brustein’s Window (1965)

via Corita Kent (1918-1986), highly prized, 1967. Seen at Marciano Art Foundation.


060726

de Young.

Zhan Wang, Artificial Rock, 2005.

Turell.

Agnes Pelton, Challenge, 1940.

Diebenkorn, Seawall, 1957.

Purvis Young, Angels and Their Horses 1985.

Helen Frankenthaler, Crusades, 1976.

David Drake, “Catination” Storage Jar, 1836.


“[…] I feel myself sufficiently strong to defy the enemy.”

via Roediger


Cynara cardunculus wasn’t sighted.