Entrenched in a hidden fortress. Really, last comforting views of the night in suburban Los Angeles.
The catalogue for Relational Undercurrents: Contemporary Art of the Caribbean Archipelago, curated by Dr. Tatiana Flores for the Getty’s Pacific Standard Time: LA/LA, currently at MOLAA. Cover image by David Gumbs.
A moment, bathed in light, lingering on the edge of leaves, before moving on, dissipates really.
The conditions within this limited Utopia engendered solidarity and peace; but also, plot formulation, water–potable and portable, sunglasses worn indoors, black-ness, art-fulness and futures–many futures. It is the only way to live.
Untitled (Poincianas often indicate the condition) 2017
Karate chop as gestural security measure. Privacy ensured through martial arts.
Lincoln Road, Miami Beach.
Untitled (Poincianas indicate some of the conditions) 2017