
John Berger, 100. John Berger Estate. Aeon. Verso.
Like most of us he was a conflicted creature of his mentors, accidental and elected. He sought out the mandarin art historian Kenneth Clark as an ally and referee while he pursued recognition as a painter. (They would later, a little erroneously, be cast as opposites when the BBC Ways of Seeing seemed to undermine Clark’s earlier series Civilisation.)
[…]
There’s a good argument for saying that Berger’s writing and his growing public persona were more profound and provoking than his choice of subjects. But isn’t this true of many great critics? You don’t read Baudelaire on painting and modern life because you’re convinced Constantin Guys was the greatest artist of the nineteenth century. Berger’s criticism is a bit like this: his urge to champion is really secondary to the force of what he has to say about art and society, about the perils of looking and the urgent necessity of making.
Brian Dillon, e-flux
Also, Muzyczuk in e-flux.







