Dig

  • AG2024_1111349a

    AG2024_1111349a

    Lee Moses, Bad Girl (Part I), 1967.


    Let the night be too dark for me to see
    Into the future. Let what will be be.

    Acceptance, Robert Frost

  • AG2024_1122338a

    AG2024_1122338a

    There is currently no federal law that gives consumers the right to “opt out” of people-search sites. CR [Consumer Reports] most recently supported the signing of California’s Delete Act into law, a historic pro-consumer bill that allows consumers to request universal deletion of their information from more than 500 registered data brokers with a single click. CR encourages other states to follow the lead of California by introducing similar legislation that provides individuals with the ability to take back control of their personal information from data brokers. 

    CR has also developed technical solutions to empower people to take control of their data. Permission Slip is a free app that helps individuals learn about the data collected on them and stop companies from collecting it. Security Planner is a free, easy-to-use tool that helps people reduce the data collected about them and keep their data secure with a personalized plan.



    Hot Chip – Look At Where We Are (Major Lazer Extended Remix)
  • AG2024_1122487a or in things

    AG2024_1122487a

    A gesturing towards William Carlos Williams’ well-tread dictum, “No ideas, but in things.”


    A command, in both cases, to turn away from, and to return to.

    Ann Pedone (?ntiphony, issue number one)

  • AG2024_1000670a or ten

    AG2024_1000670a

    Then let not Winter’s ragged hand deface,
    In thee thy summer, ere thou be distill’d:
    Make sweet some vial; treasure thou some place
    With beauty’s treasure ere it be self-kill’d.
    That use is not forbidden usury,
    Which happies those that pay the willing loan;
    That’s for thyself to breed another thee,
    Or ten times happier, be it ten for one;
    Ten times thyself were happier than thou art,
    If ten of thine ten times refigur’d thee:
    Then what could death do if thou shouldst depart,
    Leaving thee living in posterity?
        Be not self-will’d, for thou art much too fair
        To be Death’s conquest, and make worms thine heir.

    William Shakespeare.


    https://www.tumblr.com/birdbird/758302029215121408/august-7-2014-p%C3%A9rez-art-museum-miami-via-ivan?source=share
  • AG2024_2110799a

    AG2024_2110799a

    This is not the year for palliatives. It is not the year for knowing what to do.

    This is the year the planet grew smaller
    and no country would consent to its defeat.

    Camille T. Dungy

  • in these repeated refrains of nature

    There is something infinitely healing in these repeated refrains of nature — the assurance that dawn comes after night, and spring after winter.

    Rachel Carson.


    AG2023_1056378a

    A place that holds something far-reaching and infinitely healing in these repeated refrains of nature.

  • AG2024_1122377a bears witness to something

    AG2024_1122377a

    “Despite all this looking, few people, aside from Claudia, bear witness to much. To do so would be to think critically about the society that formed them and be moved to effect change.”

    Hilton Als on Toni Morrison’s début novel, “The Bluest Eye.” New Yorker, 2020.

  • I am aiming at what Henry James called “perception at the pitch of passion.

    Colm Tóibín’s The Pitch of Passion, adapted from On James Baldwin.

    In essays and interviews Baldwin needed to unloose himself from easy categories, but it was also central to his procedures as an artist to share James’s interest in consciousness as shifting and unconfined but also hidden and secretive, and his concern with language as both pure revelation and mask. Baldwin was fascinated with eloquence itself, the soaring phrase, the rhythm pushed hard, the sharp and glorious ring of a sentence, as much as with the plain, declarative line.

    […]

    For Baldwin, the past was bound up with place, and since his sense of place was bound up with displacement, the past did not come simply. What is strange is how stories from the past represent the very center of Go Tell It on the Mountain, enough to make it a novel about how the displacement caused by the Great Migration entered into the spirit of these characters and their relationships. The novel has a shadow world where the past happened, where the earlier generation came from, and where much that was unresolved had been left behind.


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