111099589

111099589
Castillo de San Marcos, Saint Augustine

“The belief that goodness is built on a constructed absence, not-doing.”
“Grace, that dictionary. A place where every thing was attached to a meaning.”
“Fear made me work hard, get better. It’s a dirty fuel, but it works.”
“… read an Odyssey in a gasp, a Shahnehmeh in a sigh”
“I did know real, deep joy. […] my lifetime’s allotment”

–Kaveh Akbar

AG2015_deeringestateIMG_0784

AG2015_deeringestateIMG_0784

That’s when she found the tree,

the dark, crabbed branches

bearing up such speechless bounty,

she knew without being told

this was forbidden. It wasn’t

a question of ownership—

who could lay claim to

such maddening perfection?

[…]

I Have Been a Stranger in a Strange Land, Rita Dove

Surrealism and Us: Caribbean and African Diasporic Artists since 1940 organized by Curator María Elena Ortiz, at Modern Art Museum of Fort Worth, March 10, 2024 – July 28, 2024.

Centered on the intersection of Caribbean aesthetics, Afrosurrealism, and Afrofuturism, Surrealism and Us explores how Caribbean and Black artists interpreted a modernist movement. Artworks, framed within a pre-existing history of Black resistance and creativity, illustrate how Caribbean and Black artists reinterpreted the European avant-garde for their own purposes.

Kentridge, The Old Gods Have Retired

William Kentridge, The Old Gods Have Retired, 2022

Photogravure, sugarlift aquatint, direct gravure, drypoint and chine collé with found ledger encyclopedia paper and various other papers with handpainting on Hahnemühle Natural, White, 300gsm. 63 4/5 × 78 7/10 in | 162 × 200 cm. Edition of 20.

Published by Jillian Ross Print and David Krut Projects. Collaborating Master Printer: Jillian Ross.

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