
… habit of indirection; … to delight in a margin; … not something to do, but something to be experienced, and something to go through (ZS)
You've got to dig to dig it, you dig?

“The belief that goodness is built on a constructed absence, not-doing.”
“Grace, that dictionary. A place where every thing was attached to a meaning.”
“Fear made me work hard, get better. It’s a dirty fuel, but it works.”
“… read an Odyssey in a gasp, a Shahnehmeh in a sigh”
“I did know real, deep joy. […] my lifetime’s allotment”
–Kaveh Akbar

I give my life to art because it stays.
It’s what time doesn’t ruin.
“Lord, increase my bewilderment.”
— (KA)
Rosa de la Cruz. Thank you.
Invincible is my myopia, great is my waist, choral are my ideas,
wingéd are my eyebrows, deep is my obscurity—who am I?
Lyn Hejinian, Ponderable

That’s when she found the tree,
the dark, crabbed branches
bearing up such speechless bounty,
she knew without being told
this was forbidden. It wasn’t
a question of ownership—
who could lay claim to
such maddening perfection?
[…]
I Have Been a Stranger in a Strange Land, Rita Dove
Surrealism and Us: Caribbean and African Diasporic Artists since 1940 organized by Curator María Elena Ortiz, at Modern Art Museum of Fort Worth, March 10, 2024 – July 28, 2024.
Centered on the intersection of Caribbean aesthetics, Afrosurrealism, and Afrofuturism, Surrealism and Us explores how Caribbean and Black artists interpreted a modernist movement. Artworks, framed within a pre-existing history of Black resistance and creativity, illustrate how Caribbean and Black artists reinterpreted the European avant-garde for their own purposes.
William Kentridge, The Old Gods Have Retired, 2022
Photogravure, sugarlift aquatint, direct gravure, drypoint and chine collé with found ledger encyclopedia paper and various other papers with handpainting on Hahnemühle Natural, White, 300gsm. 63 4/5 × 78 7/10 in | 162 × 200 cm. Edition of 20.
Published by Jillian Ross Print and David Krut Projects. Collaborating Master Printer: Jillian Ross.