Dig

  • With discreet significance

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    Love is too young to know what conscience is;
    Yet who knows not conscience is born of love?
    Then, gentle cheater, urge not my amiss,
    Lest guilty of my faults thy sweet self prove:
    For, thou betraying me, I do betray
    My nobler part to my gross body’s treason;
    My soul doth tell my body that he may
    Triumph in love; flesh stays no farther reason;
    But, rising at thy name, doth point out thee
    As his triumphant prize. Proud of this pride,
    He is contented thy poor drudge to be,
    To stand in thy affairs, fall by thy side.
        No want of conscience hold it that I call
        Her ‘love’ for whose dear love I rise and fall.

    Love is too young to know what conscience is; (Sonnet 151), William Shakespeare

    Some say thy fault is youth, some wantonness;
    Some say thy grace is youth and gentle sport;
    Both grace and faults are loved of more and less;
    Thou makest faults graces that to thee resort.
    As on the finger of a throned queen
    The basest jewel will be well esteem’d,
    So are those errors that in thee are seen
    To truths translated and for true things deem’d.
    How many lambs night the stern wolf betray,
    If like a lamb he could his looks translate!
    How many gazers mightst thou lead away,
    If thou wouldst use the strength of all thy state!
        But do not so; I love thee in such sort
        As, thou being mine, mine is thy good report.

    Some say thy fault is youth, some wantonness; (Sonnet 96), William Shakespeare

    The spring has many sounds:
    Roller skates grind the pavement to noisy dust.
    Birds chop the still air into small melodies.
    The wind forgets to be the weather for a time
    And whispers old advice for summer.
    The sea stretches itself
    And gently creaks and cracks its bones….

    The spring has many silences:
    Buds are mysteriously unbound
    With a discreet significance
    ,
    And buds say nothing.

    There are things that even the wind will not betray.
    Earth puts her finger to her lips
    And muffles there her quiet, quick activity….

    Do not wonder at me
    That I am hushed
    This April night beside you.

    The spring has many silences.

    The Spring Has Many Silences, Laura Riding Jackson

    As usual, Death sweetly slips her arm in mine—
    & we take a deep breath from the eucalyptus breeze.
    We both worked honestly at our jobs: all day Death
    destroyed traffic with wailing ambulances while I killed
    hours & lines on eight-&-a-half by eleven inch pages.
    We’re fast friends by now, Death much older of course,
    but there’s no hierarchy between us
    : we’re both taking
    a break from it all, glad to watch waves collapse on rocks
    & pelicans dive-bomb fish. I try to be sensitive to Death’s
    guilt: that whole pandemic disaster she can no longer
    control. She’ll soon betray me too—like she will you. 
    I know.
    But today the gulls are silver angels etching
    great cursive blessings in a perfect sky—so Death & I
    make believe we believe that, & amble on.

    Late Afternoon Stroll on the Cliffs, Laure-Anne Bosselaar


    Legna Rodríguez Iglesias on betrayal and a bit on movies.

  • AG2023_1022811a

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    Alejandro Chacoff, in New York Review, on Clarice Lispector and Brazilian crônica and fiction.

    “… crônicas do feed on a certain amount of friction—strange incidents, uncomfortable interactions with strangers, conversations with cab drivers (Lispector has a couple of very good pieces on this topic). […] The crônica demands a certain capacity for boredom, for being open to fleeting, small scenes of the quotidian.”

    In New Yorker, a Lispector lost interview. An article (2015).

  • AG2023_1034082a or forged into a force-form

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    “forged together into a force that didn’t need an enemy to define it

    […]

    look at everything you have to work with and find a new shape” (James S. A. Corey, Babylon’s Ashes)

  • AG2023_1034078a or to have a thought

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    “… thinking is not something that one person can do alone. It takes two people to have a thought” Rachel Aviv, New Yorker.

  • A ceramic

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    Cone 10 B-mix stoneware, with Purple haze, Reitz green, and Cranberry glazes. Fired at Ceramic League Miami, March 2023.


    “form is not a thing but a relation” (LB); it is also a thing.

  • AG2023_1033871a or in that game is all

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    “the glory of the garden” (RS)


    Legna Rodríguez Iglesias, Fácil, via theverseverse

    EASY

    You touch a woman
    and she trembles
    you spit her out and she comes out
    covered in saliva
    you can destroy
    a woman
    how do you destroy her?
    easy
    touch her
    spit her out
    touch her
    spit her out
    between one thing and another
    tell her that all of a sudden
    you have begun to love her
    that simply
    you just love her
    and that’s it
    finally touch her
    and spit her out.

    Also, An Interview with Legna Rodríguez Iglesias about Her Book My Favorite Girlfriend was a French Bulldog by Amanda Uhle (2020). “… I cannot conceive a piece without laughter or play. In that laugh and in that game is all the sadness, all the restlessness, all the anguish in the world.”

    Founded in 1878, Translated by Serafina Vick.

    Rum produced and matured in Cuba
    is pleasing to the throat
    of the man produced and matured in Cuba
    the label of authenticity
    that they put on the bottles
    has a woman with a sword
    and a lovely dress
    that seduces men and women
    white rum or dark rum
    is pleasing to the throat
    of the white man or the dark man
    but the knot in the throat
    no one can get rid of.

  • AG2023_1033761a or words submerged in reveries

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    … A good day, then;
    the voice as fresh as I remember.
    I close my eyes to savor it

    […]

    No wonder Orpheus, when he heard
    the voice he’d played his lyre for

    in the only season of his life that mattered,
    could not believe she was anything
    but who she’d always been to him, for him. . . .

    Eurydice, Turning written by Rita Dove (Playlist for the Apocalypse); On Being 041122, read by Pádraig Ó Tuama.

    “This, I think, is one of the intelligences of this poem, which is to find a way to allow yourself to change and, perhaps, to look for the stories that will support that.” Pádraig Ó Tuama.

  • Maya Rossana Cú Choc, Poesía De Lo Propio, 2005(?)

    Nací mujer
    predestinada
    al llanto

                            desde siempre
                            bebí palabras
                            sumergidas en sueños

    en mis dos países
    hubo muros que
    aún quiero derribar

                            -botar piedras de siglos
                            no es fácil
                            para cuatro niñas
                            de cinco años –

    en mis dos países
    aprendía a amar
    a las de mi piel

                            de mi voz
                            de mi cuerpo
                            de mis lenguas

    nunca encontré
    mi camino
    lo sigo buscando
                            nací mujer
                            nací sola
                            crecí sola
                                        sigo
                                                      sola


    bebí palabras sumergidas en sueños — I drank words submerged in dreams

    en mis dos países hubo muros que aún quiero derribar — in my two countries there were walls that I still want to tear down

    Poem via wp and 23 Bienal de Arte Paiz (13-30 July 2023, Francine Birbragher-Rozencwaig and Juan Canela, curators).