The Met’s show on Jackson Pollock and Lee Krasner has reignited all sorts of debates about male genius, domestic labor, the artistic canon, and marital dues. Our chief art critic Johanna Fateman assembled three venerable critics—Julia Bryan-Wilson, Jarrett Earnest, and David Rimanelli—to share their thoughts, and they didn’t pull their punches. (Cultured)
Lee Krasner, Past Continuous, 1976, oil, gouache, charcoal and paper collage on canvas, in 3 parts. Sothebys.
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