Relational Undercurrents: Contemporary Art of the Caribbean Archipelago at FIU

Relational Undercurrents: Contemporary Art of the Caribbean Archipelago is a major survey exhibition of twenty-first century art from islands throughout the Caribbean basin.

On view, at The Patricia & Phillip Frost Art Museum, Saturday, October 13, 2018 through Sunday, January 13, 2019. Curated by Tatiana Flores, Associate Professor of Art History and Latino and Caribbean Studies at Rutgers University. Organized by: Museum of Latin American Art in Long Beach, California.
 
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Beatriz Santiago Muñoz, “Matrulla,” 2014, Digital video, 6:30 minutes, Courtesy of the artist and Galeria Agustina Ferreyra.

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Didier William, “Dancing Pouring, Crackling and Mourning,” 2015, Mixed media on wood, 60 x 48 inches, Courtesy of the Robert and Frances Coulborn Kohler Collection.

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Deborah Jack, Evidence 19 from the series Our Tears Were Reborn As…, 2009-2011, Digital print on aluminum, 28 x 42 inches, Courtesy of the artist.

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Jeannette Ehlers, Black Bullets, 2012, Video, 5:05 minutes, Courtesy of the artist.


Views of the part of the show at the Wallach Art Gallery at Columbia University.


Flores and Scherezade Garcia at LA Art Show.

Catalogue. Artishock. LATimes. Hyperallergic. Recent review in X-TRA.

Screenshot_2018-10-13 Relational Undercurrents

Tout-Monde Festival

Tout-Monde Festival
1st Caribbean Contemporary Arts Festival in the United States
March 1-4, 2018 Miami, Florida
tout-monde

Hétéronomonde, the first edition of the Tout-Monde Festival, traces the contour of contemporary Antillean and Caribbean artistic production at the junction of autonomy, heteronomy and Tout-Monde.

The theory of globalization introduced by Édouard Glissant through the concepts of “Creolization” and “Poetics of Relation,” which culminated in the notion of “Tout-Monde, ” led to multiple currents of thoughts ranging from political philosophy to art criticism—with such notions as relational aesthetic for instance.

What new ways of being in the world can emerge from the confluence of the great Martinican poet’s theories and the practice of everyday contemporary life in and from the Caribbean, in a world in search for political self-determination amidst social atomization and cultural fragmentation?

How have these new ways of being in the world at large been anticipated, translated, and experimented through the artistic processes emerging from these ‘in-between’ (is-)lands of the Antilles—caught between their status as both French regions and Caribbean territories as well as both of Europe and of the Americas?

From artistic creation to political discourse, Hétéronomonde, the first edition of the Tout-Monde Festival sets forth to confront such ideas specific to Antillean identity formation within the wider Caribbean region and in the world and, as such, pursues a double action of belonging and relating through an ongoing process of cultural construction.

Claire Tancons and Johanna Auguiac-Célénice

The festival opens with The World of Edouard Glissant: Relevance and Meaning in Politics and Art, an art talk by Patrick Chamoiseau and Dr. Michael Dash, followed by Heteronomonde, a performance by Léna Blou & Schwarz-Bart. PAMM. Program. Schedule of events.

An initiative of the Cultural Services of the French Embassy in the USA, in close partnership with the France Florida Foundation for the Arts.