uhaul wall
Category: Miami
Miami, Florida
aipp-mdfr
Lobby piece. To be titled.
prints from Turn-based Press
Pronto Plate Lithograph on Rives Lightweight paper.
Request for Proposals (RFP): Miami DWNTWN Art Days 2014
Temporary Public Artworks: Site Determined
Commissioning Fee: $2,000 *Travel and accommodations may be included in the budget.
Deadline: May 5, 2014
Artists are invited to create proposals for temporary public artworks throughout downtown Miami within a one-mile radius of 100 NE 1st Avenue, the Miami Center for Architecture and Design. Artworks will be site-determined and it is upon the artist to propose site in conjunction with project as an integral aspect of the work. Selected artists will also participate in associated public programming during the coarse of the exhibition. Projects will include but are not limited to durational works, site-specific and place-based installations, interventions or social interactions.
Presented by: The Miami Downtown Development Authority & Miami-Dade County Art in Public Places
Curator: Amanda Sanfilippo
Exhibition length: September 19 – September 28.
More details on CallforEntry
Untitled(Montauciel) at Versailles
Untitled (Montauciel), at Cafe Versailles. A gestural homage to the experiments of the Mongolfier brothers.
Photo by Kathleen Hudspeth.
The Look
Some pics.
smiles
The Look at Guccivuitton
The Look
Featuring Artists: Gabriel Bien-Aimé, Murat Brierre, Lafortune Felix, Pablo Gonzalez-Trejo, Guyodo, Georges Liautaud, Marron et Masqué, Tomm El-Saieh, Serge Toussaint, Robert St.Brice, Rick Ulysse
Saturday, April 19, 2014
8375 NE 2nd Ave
Miami FL 33138
7-11pm
Guccivuitton is pleased to announce a group exhibition The Look. A survey of artworks that addresses the perceptions and expectations of Haitian Culture through the awareness of artists and their audience.
In the 2005 French drama, Vers le sud (Heading South), Charlotte Rampling, coined “The Look” by Dirk Bogarde for her mysterious yet tragic gaze, plays Ellen, a member of a group of middle aged white women that visit a sleepy seaside hotel on the coast of Haiti with the sole purpose of sharing companionship with young male locals. The film portrays the illicit yet discreet exchange between the women’s desire to supplant their unfulfilled romantic needs and the local boy’s need to escape their political and socioeconomic status.
Likewise Haiti’s cultural output has been steeped in a romance of sorts between the expectations of tourists and visitors looking to acquire a memento of their experience in Haiti and the perceptions of the indigenous artists and artisans that produce to meet this demand. This exhibitions hopes to introduce an archeological & phenomenological examination that has led to an aesthetic cross pollination of possibilities from this unique artist/consumer paradigm.