… an errant wildness runs under the seam of
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Category: Miami
Miami, Florida
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Lynne Golob Gelfman
We have lost a great one. She will be remembered. 1944-2020.
PAMM. Marisa Newman Projects. Tile Bush. DV. Coolhunting. Inspicio.
Sometimes Random. Trued Surface. Lynne Golob Gelfman : paintings 1974-1984. Lynne Golob Gelfman : 17 paintings with details and text.
signed, titled, inscribed and dated “tri 35 8024 Lynne golob gelfman 1978 blue 4/78 through blue 4 1978 tri 35 8024” on the overlap
acrylic on canvas
60 x 60 in. (152.4 x 152.4 cm.)
Painted in 1978.
via Phillips.
1070773
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Vessels for speculative use, though this pot could flowers. From 11-12_2019 batch.
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010120. We have been here before. It may be why we know what to do.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.
Eliot, Burnt Norton
Also, Beasley‘s “Kilroy was here“. Not this Kilroy.
Pan in the garden
This might be beginning of a proposal. Sculpture, myth, recast being, everyday tropical garden, diaspora, and immigrant space.
Los Miamis mutables.
Legna Rodriguez Iglesias wrote about Miami, a view of its connection to the Caribbean, in relation to thought, literature, and art, and a productive use of IG. Text is publised in Rialta.
ESTOY USANDO, POR CIERTO, LA OBRA DE UN ARTISTA, COMO APOYATURA PARA SUBRAYAR, ADEMÁS, LO QUE YA OTROS HAN DEMOSTRADO: QUE UNA POÉTICA DEL CARIBE SE PODRÍA REDEFINIR DESDE LA POÉTICA DE MIAMI. UN CARIBE MÁS REDONDO, MÁS EXPLOSIVO, MÁS COMPLETO Y POR TANTO, MÁS MEJOR.
Legna Rodríguez Iglesias
2017-2019. Installation of color photographs.
It is a great honor to be included and to find kinship in fellow artist.