
and for some
certain only of the syllables
it is the element they
search their lives for
Lucille Clifton, “the garden of delight”
You've got to dig to dig it, you dig?

and for some
certain only of the syllables
it is the element they
search their lives for
Lucille Clifton, “the garden of delight”

Whatever I care for, someone else loves it
more, deserves it more: the doe with her
whole mouth crushing the phlox or the seer
who adores my future, whereas I could
take it or leave it. I know I’ll disappear.
It won’t be glamorous. It won’t be like when
the Mona Lisa was stolen and the tourists all
lined up to pay their respects at the empty
spot on the wall of the Louvre.
I’ve never actually even seen the sky.
I’ve only ever seen effluents, seen wattage.
The only night I remember is the dinner
of neighbors at which a man I never
had met before said I don’t fear dying—
look at the past, people have been dying forever, and—
then he stopped and shook his head—
I drank too much. I was almost saying
that people have died forever and all
of them survived, but of course—he made
a hard laugh—God, of course they didn’t survive.
The Sky, Natalie Shapero

Some people say the devil is beating
his wife. Some people say the devil
is pawing his wife. Some people say
the devil is doubling down on an overall
attitude of entitlement toward
the body of his wife. Some people
say the devil won’t need to be sorry,
as the devil believes that nothing
comes after this life. Some people say
that in spite of the devil’s public,
long-standing, and meticulously
logged disdain for the health
and wholeness of his wife, the devil
spends all day, every day, insisting
grandly and gleefully on his general
pro-woman ethos, that the devil truly
considers himself to be an unswayed
crusader: effortlessly magnetic,
scrupulous, gracious, and, in spite of
the devil’s several advanced degrees,
a luminous autodidact. Some people
say calm down; this is commonplace.
Some people say calm down;
this is very rare. Some people say
the sun is washing her face. Some
people say in Hell, they’re having a fair.
Sunshower, Natalie Shapero
I am ashamed to keep thinking of death
as a chute that connects to the garbage. I know
I should picture it more like the pneumatic tubes
at banks of the past: you put in your name
and your paper and up you go. I know a bank
should be the operative metaphor
for every facet of existence, every time. I’m sorry
I haven’t more regularly made reference
to a bank. When I fail to liken something to a bank,
that’s how I can tell I’m tired. That’s not me,
I assure everybody. That’s the long week talking. Time
for bed. Time for the window, the hectoring sky,
the streetlight bright as the bright saved people
see before they die, but I don’t die.
Long Week Talking, Natalie Shapero

… offers a worldfeel that binds human attention to the intractable matter of the everyday. (AN)

I have a realistic grasp of my own strengths and weaknesses.
The man who fears losing has already lost. Fear cuts deeper than swords.
(GRRM)

A human is a meager thing
in such immensity, the way a little shoe is small on the stones
where unknown travelers hoped for amnesty.
– Linda Hogan

The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath past away a glory from the earth.
Ode on Intimations of Immortality from Recollections of Early Childhood, William Wordsworth