Category: language

  • 011222165~2 or cuffed primly


    She laughed and leaned back in her chair. Crossed her legs at the ankles. Her trim dark jeans were cuffed primly back over brown wool socks. She had on half boots, all scuffed worn leather. Her jean jacket had a shearling fringe, mottled white and green.

    Colonial Conditions, Brandon Taylor (The Yale Review)

    The Aesthetics of Resistance. Peter Weiss. “The three volumes of the novel were originally published in 1975, 1978 and 1981. English translations of the three volumes have been published by Duke University Press, in 2005, 2020 and 2025.”

    The Aesthetics of Resistance, Volume I
    Translator: Joachim Neugroschl
    Foreward: A Monument to Radical Instants / Fredric Jameson

  • in the back patio /of his mind


    He lies if they ask him
    how he does it.

    To leap on top
    or to the side.

    To dodge the ceaseless
    lottery.

    Imperceptible,
    in the back patio
    of his mind
    ,
    a plant opens,
    a succulent
    of accomplishment
    .

    I., Luis Muñoz. Translated from the Spanish by Idra Novey & Garth Greenwell

  • freedom of the reader


    JH Prynne, born June 24 1936, died April 22 2026 (The Telegraph Obituaries)(also, in The Telegraph).

    “One reason why he was so resistant to reading in public was his concern that audiences “believe so readily that some special insight has been communicated to them because the poet’s voice is authentic and true and inward, and so the whole mystery of the poem is presented to the ear of the audience. This belief is completely false, in my impression totally misguided, misleading, untrue and false.” He considered the memory of a poet’s voice to be “a really serious obstacle, and I detest to present obstacles to the freedom of the reader.””

    Paris Review. Prynne Bibliography.


    Walker Art Center, Collections.

  • never let the charm be broken

    Haiti Inter sur Johnny Nicholas (Jean Marcel Nicholas). The Search for Johnny Nicholas, Hugh Wray McCann, David C. Smith, David L. Matthews (1982/2011).


    Yesterday we walked apart, 
    Separate and cold and mortal. 
    Now the mystic kiss has joined us, 
    Now we stand inside the portal

    That permits of no returning,
    And my heart is strangely burning. 

    I know not what the word may be, 
    Or what the charm, or what the token, 
    That has filled us with this glory. 
    But never let the charm be broken. 

    Let it stay a mystery
    For all time to be. 

    Yesterday, with lighter joys,
    We wantoned at the outer portal. 
    Now, with love’s old alchemy, 
    We have made ourselves immortal.

    Sudden Friendship, Elsa Gidlow

  • you and you and a third


    From no nowhere not near the sea
    on blue field flax
    the cemetery's absolutely solitary
    you and you and a third

    of a pound of bread
    for supper in the refectory
    where I would die of hunger
    if you--if soon--if on this unday--one

    undoing would be undone

    Unday, Fanny Howe
  • 041926

    Crime 101, Bart Layton. Based on novella by Don Winslow. Music by Blanck Mass.

    NomaRhythm Textile. Filmed and Directed by Rinko Kawauchi

    The long love that in my thought doth harbour 
    And in mine heart doth keep his residence, 
    Into my face presseth with bold pretence 
    And therein campeth spreading his bannèr. 
    She that me learns to love and suffèr 
    And wills that my trust, and lust’s negligence 
    Be reined by reason, shame, and reverence, 
    With his hardiness takes displeasùre. 
    Wherewithall unto the heart’s forest he fleèth, 
    Leaving his enterprise with pain and cry, 
    And there him hideth, and not appearèth. 
    What may I do when my master fearèth? 
    But in the field with him to live and die 
    For good is the life, ending faithfully.

    [The long love that in my thought doth harbour], Thomas Wyatt

  • AG2026_1170792a or strands of illusion


    How a tropical bean could help treat Parkinson’s tremors, Meredith Bauer-Mitchell and Eva Sailly (ifas.ufl.edu)


    Eleven o’clock, and the curtain falls. 
    The cold wind tears the strands of illusion; 
    The delicate music is lost 
    In the blare of home-going crowds 
    And a midnight paper.

    The night has grown martial; 
    It meets us with blows and disaster.
     
    Even the stars have turned shrapnel, 
    Fixed in silent explosions. 
    And here at our door 
    The moonlight is laid 
    Like a drawn sword. 

    End of Comedy, Louis Untermeyer

  • Rather glass that’s taught by patient labor


    What is poetry? Is it a mosaic 
    Of coloured stones which curiously are wrought 
    Into a pattern? Rather glass that’s taught 
    By patient labor any hue to take 
    And glowing with a sumptuous splendor, make 
    Beauty a thing of awe;
    where sunbeams caught, 
    Transmuted fall in sheafs of rainbows fraught 
    With storied meaning for religion’s sake. 

    Fragment, Amy Lowell


    We two, how long we were fool’d,
    Now transmuted, we swiftly escape as Nature escapes,
    We are Nature, long have we been absent, but now we return,
    We become plants, trunks, foliage, roots, bark,
    We are bedded in the ground, we are rocks,
    We are oaks, we grow in the openings side by side,
    We browse, we are two among the wild herds spontaneous as any,
    We are two fishes swimming in the sea together,
    We are what locust blossoms are, we drop scent around lanes mornings and evenings,
    We are also the coarse smut of beasts, vegetables, minerals,
    We are two predatory hawks, we soar above and look down,
    We are two resplendent suns, we it is who balance ourselves orbic and stellar, we are as two comets,
    We prowl fang’d and four-footed in the woods, we spring on prey,
    We are two clouds forenoons and afternoons driving overhead,
    We are seas mingling, we are two of those cheerful waves rolling over each other and interwetting each other,
    We are what the atmosphere is, transparent, receptive, pervious, impervious,
    We are snow, rain, cold, darkness, we are each product and influence of the globe,
    We have circled and circled till we have arrived home again, we two,
    We have voided all but freedom and all but our own joy.

    We Two, How Long We Were Fool’d, Walt Whitman