Category: language

  • 032526

    In the sinuous folds of old capitals, Where all, even horror, turns to enchantment, I spy, obeying my fatal humors, Certain singular beings, decrepit and charming.

    The Little Old Ladies, Baudelaire


    When all at once I saw a crowd,
    A host, of golden daffodils;
    Beside the lake, beneath the trees,
    Fluttering and dancing in the breeze.

    Continuous as the stars that shine
    And twinkle on the milky way,
    They stretched in never-ending line
    Along the margin of a bay:
    Ten thousand saw I at a glance,
    Tossing their heads in sprightly dance.

    I wandered lonely as a cloud, Wordsworth


    Freud (1928) wrote that an illusion is distinguished not by its falsity, but by its origin in a wish; it is a wish that we have become passionately attached to. Illusions, such as the little bit of trust needed for romantic love, keep us attached to the future and fuel our desire. The optimism of cruel optimism is not only for a better outcome this time, but for a future that we want to keep moving toward. As Berlant articulates, we see the devastation wrought by cruelly optimistic attachments to destructive political and economic objects that offer hope but instead repeat and intensify deprivation and violence.

    A cure for love, Sophia Frydman

  • 032426

    Thus in the forest of my mind’s exile An ancient Memory sounds a full-throated horn! I think of sailors forgotten upon an isle, Of the captives, of the vanquished!… and of many more!

    The Swan, Baudelaire


    The only constant is that we go on walking, that we remain pilgrims of possibility. We would not walk if we had already arrived. We would not write if we had already arrived. Out of our incompleteness and our disorientation, out of our longing and our wanderlust, arises the motive force of every love and every revolution, of our science and our art, of our creation and our self-creation. Every creative act is an act of traversal.

    Popova

  • AG2026_1155927a is of the ordinary


    and lose himself in the mechanics of the ordinary (CK)

    to split open the dreary world to expose an enchanted one. (TM)

  • 032026


    (The essay on modesty) (in application for) (bodily autonomy)

              (She lost that case) (on (wide is the gate))  (rhetorically memorable)
    
                            (Arbiter rise)

    (Attracted to) (the most minor) (advantages) (adopting gendered props)

              (Assaying willingness)                       (I notice a certain scarlet letter)

    (Dream of a house) (it can’t be mine) (vast roominess)

                            (Dream of a beach) (but it’s a beach with a                 problem)
    
              (In the smug of your (natural woman))               (I have had (a stain) (a conceit))
    
                                        (Despite appearances (allegedly))
    
              (A medical person) (declares the injury a                                     non-emergency)

    (The essay on modesty), Krystal Languell


  • The fell of dark


    Yves Winter, What Is an Imaginary?, Critical Inquiry.


    … feel the fell of dark, not day. What hours, O what black hours we have spent This night!

    Gerard Manley Hopkins

  • AG2025_1167305a where we find ourselves again


    The Paris Commune was established 155 years ago, on March 18th, 1871. (Verso)

    Propiedad Privada, Reynaldo Rivera.


    Where there is no “we”
    we are

    […]

    lost in the vague geography of words
    where we find ourselves again

    Translation, Fatemeh Shams, Translated ?from the Persian by Armen Davoudian

  • Institutional Psychotherapy: Legacy and Constellations of Francesc Tosquelles

    Unearthing Tosquelles: The Research that Brought up a Figure Semi Buried in History With Tosquelles exhibition co-curators Joana Masó & Carles Guerra

    May 2, 2024.


    Francesc Tosquelles: Avant-Garde Psychiatry and the Birth of Art Brut
    April 12, 2024–August 18, 2024
    American Folk Art Museum

  • AG2026_1550009a, Then (if we’re lucky) 


    And isn’t everything risk?

    The beloved lives 
    Then dies,
    Then (if we’re lucky) 
    Rises again 
    Into a poem or song

    Or into the world 
    In some other form 
    Impossible to predict.

    Simplest story, oldest tale: 

    Sparrows sing it
    From every hedge;

    And swallows, also, 
    From their nests on the ledge. 

    [And isn’t everything risk?], Gregory Orr