another world just waiting

studio window

This is my first memory:A big room with heavy wooden tables that sat on a creaky       wood floorA line of green shades—bankers’ lights—down the centerHeavy oak chairs that were too low or maybe I was simply       too short              For me to sit in and readSo my first book was always bigIn the foyer up four steps a semi-circle desk presidedTo the left side the card catalogueOn the right newspapers draped over what looked like       a quilt rackMagazines face out from the wallThe welcoming smile of my librarianThe anticipation in my heartAll those books—another world—just waitingAt my fingertips.

My First Memory (of Librarians), Nikki Giovanni

AG2021_2030239aa or we take what we can

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For Cheryl Boyce-Taylor and her Malik, our Phife

& I immediately think of Cheryl, her Malik, his beloved
obsession with the team’s orange & blue, a sunset sky over

this city. The ruckus of these players’ sweet grit, the desire they
have to come in first. They rebound & strip like stickup

kids. They pound the paint as if their feet were wrapped in
Timbs, their lean torsos tattered & tapered in Coogi sweaters.

This is New York. Bodega filled with the aroma of a good
chopped cheese. Ambitions racing through our minds fast as

the 2 train during rush hour. I watch the reverie on TV, as
the Garden thrashes & quakes by the tectonic plate of our

steadfast fandom. Don’t get it twisted, capitalism is dying

& yet here I am rooting for boys bred to burn out their bodies
to make billionaires more billions. Was this what Rome felt like

toward the end? When the colosseums filled with gladiators
stirred the masses into a frenzy. How the people hungered for

food & freedom, but instead lost themselves in the carnal play
of sacrifice—reliable warriors, safer to believe in than

Caesar. No matter, I think Phife would’ve loved this team,
unflappable & carefree, anti-establishment, uncompromising.

What happens to the heart of a city when its people survive
on air; that space between the flick of the wrist & the swish

of a three-point buzzer beater? We fight for a win to fill
the ache of losing: Palestine, Congo, Sudan, Ayiti. We take

what we can, celebrate small victories until we win everything
we thought we never could—

As Capitalism Gasps for Breath I Watch the Knicks Game, Yesenia Montilla

AG2024_1134128a or we smile and mouth with myriad subtleties

AG2024_1134128a

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouth with myriad subtleties,

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
     We wear the mask.

We smile, but oh great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile,
But let the world dream otherwise,
     We wear the mask!

Paul Laurence Dunbar


presented by the Estate of Lynne Gelfman, December 2 – 22, 2024

As if … To Eden wandered in

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Untitled (Flows and veils; garden syntactic arrangements of forms; they hold unknown, and therefore dangerous possibilities)

As if some little Arctic flower,
Upon the polar hem,
Went wandering down the latitudes,
Until it puzzled came
To continents of summer,
To firmaments of sun,
To strange, bright crowds of flowers,
And birds of foreign tongue!
I say, as if this little flower
To Eden wandered in —
What then? Why, nothing, only,
Your inference therefrom!

Emily Dickinson

AG2024_2100538a or landscape where we have held

AG2024_2100538a

Here is a place where nothing can die
Darkness that lives beneath the leaves

We bring our nights there without knowing
We bring our fear there before the singing begins
We bring our silent names there hoping we are forgiven

We bring our hands there scented of a river

We bring our prayers that hide and watch us
The landscape where we have held the loose feathers
Of a fallen bird

And awakened in the land of the unseen

Here is a place where nothing can die …

Lance Henson


Collaborative performance by Amanda Linares + Legna Rodríguez Iglesias