How Can Black People Write About Flowers at a Time Like This, by Hanif Abdurraqib.
… that is the wrong question
Traci K. Smith
Category: language
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Defund Toolkit
Concrete steps toward divestment from policing and investment in community safety via Interrupting Criminalization
Interrupting Criminalization: Research in Action is an initiative at the BCRW Social Justice Institute led by researchers Andrea J. Ritchie, Mariame Kaba, and Woods Ervin. The project aims to interrupt and end the the growing criminalization and incarceration of women and LGBTQ people of color for criminalized acts related to public order, poverty, child welfare, drug use, survival and self-defense, including criminalization and incarceration of survivors of violence.
#DefundPolice is a demand to cut funding and resources from police departments and other law enforcement and invest in things that actually make our communities safer: quality, affordable, and accessible housing, universal quality health care, including community-based mental health services, income support to stay safe during the pandemic, safe living wage employment, education, and youth programming. It is rooted in a larger Invest/Divest framework articulated in the Movement for Black Lives’ Vision for Black Lives.
Related : Black Panther Party’s Ten Point Plan.
We Want Freedom. We Want Power To Determine The Destiny Of Our Black Community.
We Want Full Employment For Our People.
We Want An End To The Robbery By The Capitalists Of Our Black Community.
We Want Decent Housing Fit For The Shelter Of Human Beings.
We Want Education For Our People That Exposes The True Nature Of This Decadent American Society. We Want Education That Teaches Us Our True History And Our Role In The Present-Day Society.
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We Want An Immediate End To Police Brutality And Murder Of Black People.
We Want Freedom For All Black Men Held In Federal, State, County And City Prisons And Jails.
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We Want Land, Bread, Housing, Education, Clothing, Justice And Peace.
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Anne Boyer
With unflinching self-scrutiny, Anne Boyer exposes uncomfortable truths about our culture’s mistreatment of the individual in duress and the ways in which we are complicit in that neglect.
Anne Boyer is an American essayist and poet. Her boundary-blurring body of work includes two books of nonfiction, a poetry collection, and several chapbooks. Most recently, her book The Undying: Pain, vulnerability, mortality, medicine, art, time, dreams, data, exhaustion, cancer, and art (2019) earned accolades for its formal inventiveness and searing prose. The story of Boyer’s experience with a highly aggressive form of triple-negative breast cancer, The Undying is not a traditional memoir but something altogether different and new; a fierce and funny experiment in cultural criticism and personal history, malediction and requiem.
Windham Campbell Prizes
What cancer takes away, New Yorker, April 15, 2019 Issue.
A Handbook of Disappointed Fate, Ugly Duckling Presse.
Mirabilary, newletter/blog.
Ten questions. In the New Inquiry.
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AG2020_1960142a
Solvitur ambulando (It is solved by walking) – Saint Augustine.
“I wanted to walk in this impossible place, to walk on the line of my vision, or along the edge of my imagination.” from Touch, 2002, by Janine Antoni. via sophiesiem
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Achebe
Memory is necessary if surviving is going to be more than just a technical thing.
… Ibo proverb — “Wherever something stands, something else will stand beside it.”
via brainpickings
Related : Conversations with James Baldwin. Book.
“[Photo] of Chinua Achebe and James Baldwin in Florida, 1980. Where they met for the first time at a conversation between them organised as part of a conference hosted by the African Literature Association, in Gainesville, Florida.” via duroolowu.
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AG2020_1880723a or what ended in pique
Met by luck, with like destinations, We startled again at what ended in pique. Strollers out, seeing us, had no notion;
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We heard of Gracia Real de Santa Teresa de Mose
Untitled (Here, we are. We heard of Gracia Real de Santa Teresa de Mose (i) in a refrain (pp) of the common wind.), 2020, archival pigment print, 14 x 21 inches.
Untitled (Errant and choric utterances), 2020, vinyl letters on wall.
via crispellertart
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Miami Dérive: Walking with Adler Guerrier, BURNAWAY
Burnaway magazine published a text by Ade J. Omotosho. It is generous of its subjects.
We passed through rows of the winsome, modest single-story homes that line the streets, vivid in their mamey pinks, robin’s egg blues, and other confectionery colors that comprise the city’s unmistakable palette. Lately Guerrier has been fascinated with the creation of what he calls “immigrant space” within Miami’s neighborhoods, and he is developing a film project centered on this phenomenon. For instance, much has been made of the way that people of the African diaspora adorn and furnish domestic spaces, but relatively less of how we fashion exterior space, which Guerrier believes is an equally viable realm for families to “insist on” their presence and sensibilities.
Omotosho was a curatorial fellow at Pérez Art Museum Miami.
