Category: language

  • AG2022_2120484a

    AG2022_2120484a

    Other Echoes Inhabit The Garden takes its title from T.S. Elliot’s first poem in his Four Quartets: Burnt Norton (1936) by way of Edward Said’s speech at Toronto’s York University in 1993. Said concludes,

    Imperialism consolidated the mixture of cultures and identities on a world scale. But its worst and most paradoxical gift was to allow people to believe that they were only, mainly, exclusively white or black or Western or Oriental. Just as human beings make their own history, they also make their cultures and ethnic identities. No one can deny the persisting continuities of long traditions, sustained habitations, national languages and cultural geographies…Survival, in fact, is about the connections between things. In Eliot’s phrase, reality cannot be deprived of the “‘other echoes that inhabit the garden.’


    Clare began to talk, steering carefully away from anything that might lead towards race or other thorny subjects. It was the most brilliant exhibition of conversational weightlifting that Irene had ever seen. Her words swept over them in charming well-modulated streams. Her laughs tinkled and pealed. Her little stories sparkled.

    Passing, Nella Larsen
  • in Praise of Bewilderment

    “How are you?”


               “I have no idea,”


    AG2017_1090198a
  • Aside

    The willingness to stay in the fathom–Popova

    I was in a band one summer

    we never could harmonize

    we smiled and kept playing

    we loved our united disunity

    a wild stubborn focus

    Auguries Cast Aside by CAConrad
  • AG2022_2110886b

    AG2022_2110886b

    imagined the blackness she was sinking into–TM

  • ‘There will always be poetry.’

    Arjun’s dissenting voice murmured in her mind, ‘There will always be poetry.’

    […]

    forged together into a force that didn’t need an enemy to define it.

    […]

    We run on stories about things […] look at everything you have to work with and find a new shape.

    Babylon’s Ashes, James S. A. Corey

    AG2022_1001067as
    Untitled, 2016.
    AG2016_1030096a

    Related : ADOPTED LANDSCAPES, opens SEPTEMBER 15, at COLLECTIVE 62 ARTIST STUDIOS

    Adopted Landscapes curated by Dina Mitrani and Marina Font.
  • intimacy with vastness

    The dreamer dreams, and her dream carries her deeper into intimacy with vastness.

    Leviathan Falls (The Expanse Book 9), James S. A. Corey

    Image from page 550 of "The American florist : a weekly journal for the trade" (1885)
    Image from page 550 of “The American florist : a weekly journal for the trade” (1885)
  • AG2022_2110801a stretches over the land

    AG2022_2110801a

    Blackness

    […]

    is a commitment

    […]

    stretches over the land

    […]

    The huge, the pungent object of our prime out-ride

    is to Comprehend,

    to salute and to Love the fact that we are Black,

    which is our “ultimate Reality,”

    which is the lone ground

    from which our meaningful metamorphosis,

    from which our prosperous staccato,

    group or individual, can rise.

    Primer For Blacks. Gwendolyn Brooks