The Long War on Black Studies, in The New York Review

Robin D.G. Kelley defends Black studies; a version of this essay appears in Our History Has Always Been Contraband: In Defense of Black Studies, edited by Colin Kaepernick, Robin D. G. Kelley, and Keeanga-Yamahtta Taylor, available now from Haymarket Books as a free ebook.

Most state laws prohibiting enslaved Africans from learning to read and write were introduced after 1829, in response first to the publication of David Walker’s Appeal to the Colored Citizens of the World—an unrelenting attack on slavery and US hypocrisy for maintaining it

[…]

Who’s afraid of Black Studies? White supremacists, fascists, the ruling class, and even some liberals. As well they should be. Not everything done in the name of Black Studies challenges the social order. Like any field, it has its own sharp divisions and disagreements. But unlike mainstream academic disciplines, Black Studies was born out of a struggle for freedom and a genuine quest to understand the world in order to change it, presenting political and moral philosophy with their most fundamental challenge. The objects of study have been Black life, the structures that produce premature death, the ideologies that render Black people less than human, the material consequences of those ideologies, and the foundational place of colonialism and slavery in the emergence of modernity. Black Studies grew out of, and interrogates, the long struggle to secure our future as a people and for humanity by remaking and reenvisioning the world through ideas, art, and social movements. It emerged as both an intellectual and political project, without national boundaries and borders. The late political theorist Cedric J. Robinson described it as “a critique of Western Civilization.”

[…]

No serious scholar believes that someone is “inherently racist, sexist, or oppressive, whether consciously or unconsciously,” solely “by virtue of his or her race or sex.” We teach the opposite: that race is neither fixed nor biological but socially constructed. Modern categories of racial classification were Enlightenment-era European creations that relied on a false science to claim that discrete “racial” groups share inherent traits or characteristics. We reject such claims as essentialist and recognize that behaviors and ideas attributed to race, gender, class, and sexuality are not inherent but ideological, and therefore dynamic and subject to change. We use evidence-based research to show that policies that further racial, class, and gender inequality need not be intentional, and that anyone can be antiracist, regardless of their race.

[…]

The point of these attacks is to turn antiracists into enemies and the people identified as “white” into victims. Marginalized white working people, who are victims of stagnant wages, privatized health care, big pharma, and tax policies that redistribute wealth upward, are taught instead that they live in what was once the perfect country until woke forces took over and gave their hard-earned income to the Negroes and immigrants who are now trying to take their guns. It would be a mistake to think of such rhetoric as a “culture war.” This is a political battle. It is part and parcel of the right-wing war on democracy, reproductive rights, labor, the environment, land defenders and water protectors, the rights and safety of transgender and nonbinary people, asylum seekers, the undocumented, the unhoused, the poor, and the perpetual war on Black communities.

AG2023_1120272aor a whole landscape in there

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“the place in your head. I saw it once, a long time ago, a whole country in there, a landscape.”

“She wants, more than anything, to stretch this moment, to expand the time before he knows, to shield him from what has happened for as long as she can.”

“listening for the knock and keen of bad spirits trying to find a way in.” (MO)

AG2023_1130092b or the bond of live things

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“I leave the present and its fretful claims
    And seek the dim past where my memories stay. 
I dream an old, forgotten, far-off dream, 
     And think old thoughts and live old scenes anew


“i hold their bodies in obscene embrace
thinking of everything but kinship

and i taste in my natural appetite
the bond of live things everywhere.

Valeria

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“It was there, inside the song, that you had permission to lose yourself and not be wrong.”

“maybe all names are illusions” –(OV)


The Modern Jazz Quartet, Valeria. No date for this recording (probably not from a MJQ studio album). Label : Amor Indiano (probably acquired the rights to re-issue the recording).

AG2023_1130093a or hold the promise of new worlds

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“of these optimists, the poet and scholar Fred Moten turns directly to Fanon’s writing on Césaire. In particular, Moten is interested in Fanon’s frustration with Césaire’s use of pidgin and words of his own coinage: “The new speech, which animates Césaire’s poetry as well as Fanon’s invocation of Césaire in the interest of disavowing the new speech, is where we discover, again and again, the various and unrecoverable natality that we share.” Connecting Fanon’s quarrel with Césaire to Hannah Arendt’s belief that all human activity, and especially political activity, carries the promise of new creation—a promise latent in the unrepeatable nature of each person’s birth, hence “natality”—Moten helps us to see the new dimensions that this debate has acquired over time. Césaire was self-consciously preoccupied with making something new in art and politics alike, but reading his poetry today (with a stronger sense of the historical specificity of his writing) provides the present with the kind of historical investigation of blackness that Fanon felt was unavailable. But more important, the fact that Césaire did so through the materiality of language indicates blackness’s power for a new “communicability” not rooted in an essentialized idea of race, but in new methods of critiquing the cultural machinery that essentializes. For Césaire, new words hold the promise of new worlds. Poetry isn’t the only expressive mode where this kind of language work can happen, but it still is the best.

[…]

Davis’s Journal (Journal of a Homecoming … a new translation appeared from N. Gregson Davis, a professor of ancient Greek and Latin poetry at Duke University who grew up in Antigua.) provides the most powerful articulation of Césaire’s “new speech,” along with the necessary contextualizing tools to recognize and appreciate this power. In doing so, Davis has not merely translated a great work of modernist poetry and an essential document in postcolonial history; he has created a present-day source of timely dissent.”

— (The New Worlds of Aimé Césaire by David B. Hobbs, The Nation, July 3, 2018)