
lo and behold— another world,
a world of milder currencies, inverted cumulus and azure, verticals and shade, the velvets of a deep interior and turns
of coy comestibility—
in short, another life, with footholds made for memory.
Heather McHugh

lo and behold— another world,
a world of milder currencies, inverted cumulus and azure, verticals and shade, the velvets of a deep interior and turns
of coy comestibility—
in short, another life, with footholds made for memory.
Heather McHugh

“Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.” Martin Luther King
“…je m’endormis, prêt à retrouver dans mon sommeil la transfiguration hallucinée des événements de la nuit, à me réveiller dans un monde qui paraîtrait inaltéré au premier regard, mais où tout, sous la surface des choses, sous la peau du temps, aurait changé à jamais.
Tels furent, après ma soirée dans la toile de l’Araignée, mes premiers pas sur le cercle de solitude où glissaient Le Labyrinthe de l’inhumain et T.C. Elimane.”
Mohamed Mbougar Sarr, La plus secrète mémoire des hommes
The Psychosocial Foundation Presents: On Love, with Anahid Nersessian and Ronjaunee Chatterjee, (032023).

“To not make sound, to be sound
To not have language, to echo, to plan language
To be the stream of words
To not be sad for
To not have those to be sad for
To not eat alone”
Dorothea Lasky, To be the thing
“She wondered if he suffered from these same recollections, and if so, what he did with them.” (ZS)

“Chercher à s’anéantir dans son œuvre n’est pas toujours un signe d’humilité. Même le désir du néant peut être une vanité…”
“Je le laissai et allai provoquer la nuit parisienne, son incandescence, ses flots de bière, sa joie pure, ses rires purs, sa drogue dure, ses illusions d’habiter l’éternité ou l’instant.”
The Most Secret Memory of Men by Mohamed Mbougar Sarr

“I tasted—careless—then—
I did not know the Wine
Came once a World—”
One Year ago—jots what? (296), Emily Dickinson

Untitled (Field Guide; “what’s not found at once, but lies within something of another nature”) ii, 2023. Graphite, colored pencil, gesso, enamel paint, gouache, collage, pigment print on paper. 75 x 54 cm
Denise Levertov, “Pleasures”. (I like to find/ what’s not found / at once, but lies …)
Hard luck and trouble
Been my only friend
I’ve been on my own
Ever since I was ten
[…]
You know wine and women
Is all I crave
A big legged woman
Gonna carry me to my grave
[…]
[Chorus]
Born under a bad sign
I’ve been down since I began to crawl
If it wasn’t for bad luck
I tell ya, I wouldn’t have no luck at all
[Outro]
Yeah, I’m a bad luck boy
Been havin’ bad luck all of my days, yes

Untitled (Freedom is near, Rose, Night), 2008-2023.
““The night time is the right time,” a time to reveal and fulfill desire, a time to dream, the world of the unknown, the hallucinatory.”
“Yes, “it’s always night,” which is why we absolutely need light”
“they had to camouflage their boldness”
– Kelley, Freedom Dreams
Emanuele Coccia offers us his reflections on fashion, ecology, and transforming city/home. (Exhibition-Magazine, 2021(?))
This pandemic has shown us a kind of corporeal continuity between all human beings. This is a big deal because it’s a physical and sensible consciousness that we recognized in a single, selfsame flesh. It’s the first time that there has been a global event where everyone is aware of at the same time with a unification of bodies and consciousnesses. Everything that we had created to produce politics became obsolete: nations no longer make sense. We are truly on a single planet, and we will have to invent instruments that allow us to do politics at that level. This is true for the current question of vaccination. Everything that we have produced was conceived for a fractured world. The progressivist discourses – the “true left” – are those which will allow us to understand how to find a non-imperialist way of living together, which is at the level of this self-evident truth and this shared suffering. This virus has definitely closed the door on the political and cultural experiment of the 20th century. All of the current debates about identity are not very interesting. They are battles defending territory which has already been conquered. The great battles of the future are elsewhere I think.
Coccia with Sophie Abriat

We only need design because we are born without having either the experience or the idea of happiness. This is why we spend the rest of our lives observing, touching, measuring the world and tasting it to understand what makes us feel good. In this way, we also explore our body and our mind. This continuous exploration of self and the world in search of happiness is what we call dreaming. And design is the ambition or claim that there is a method in the way we dream, and the attempt to give a single name to all possible forms of happiness.
[…]
Actually, what interests me most is not to observe the present, but to explore what in the present is already working on shaping the world of after tomorrow. And not tomorrow, which is always a consequence of today, but after tomorrow — the kind of future that is not yet predictable and that is unrecognisable compared to the present. That is precisely why it can afford to coincide with an ancestral past. The most radical form of exploration for this should be in dreams: the dream is already an exploration, and being able to explore the dreams of others is the most important faculty for any creative. So much more than observation, dreaming is the most powerful tool of exploration.
A Take On Fashion: Emanuele Coccia