Category: language

  • 111099679 or delight in a margin

    111099679

    … habit of indirection; … to delight in a margin; … not something to do, but something to be experienced, and something to go through (ZS)

  • 111099589

    111099589
    Castillo de San Marcos, Saint Augustine

    “The belief that goodness is built on a constructed absence, not-doing.”
    “Grace, that dictionary. A place where every thing was attached to a meaning.”
    “Fear made me work hard, get better. It’s a dirty fuel, but it works.”
    “… read an Odyssey in a gasp, a Shahnehmeh in a sigh”
    “I did know real, deep joy. […] my lifetime’s allotment”

    –Kaveh Akbar

  • 022624

    IMG_20240226_080558_HDR

    I give my life to art because it stays.

    It’s what time doesn’t ruin.

    “Lord, increase my bewilderment.”

    — (KA)


    Rosa de la Cruz. Thank you.

  • 022524

    IMG_20240224_113613_HDR
    CEAM, Flagler College.
    IMG_20240225_074029_HDR
    Matanzas River, Saint Augustine, Florida.

  • AG2024_1089209a or tell it slant

    AG2024_1089209a

    Tell all the truth but tell it slant —
    Success in Circuit lies
    Too bright for our infirm Delight
    The Truth’s superb surprise
    As Lightning to the Children eased
    With explanation kind
    The Truth must dazzle gradually
    Or every man be blind —

    Emily Dickinson

  • AG2015_deeringestateIMG_0784

    AG2015_deeringestateIMG_0784

    That’s when she found the tree,

    the dark, crabbed branches

    bearing up such speechless bounty,

    she knew without being told

    this was forbidden. It wasn’t

    a question of ownership—

    who could lay claim to

    such maddening perfection?

    […]

    I Have Been a Stranger in a Strange Land, Rita Dove

    Surrealism and Us: Caribbean and African Diasporic Artists since 1940 organized by Curator María Elena Ortiz, at Modern Art Museum of Fort Worth, March 10, 2024 – July 28, 2024.

    Centered on the intersection of Caribbean aesthetics, Afrosurrealism, and Afrofuturism, Surrealism and Us explores how Caribbean and Black artists interpreted a modernist movement. Artworks, framed within a pre-existing history of Black resistance and creativity, illustrate how Caribbean and Black artists reinterpreted the European avant-garde for their own purposes.

  • A still divine presence … calling away despair

    AG2024AG2024-KB_1520436-1520540a4

    “such silence
    still divine presence
    echoes immortal migrants

    […]

    a cardinal framed in the glass
    red light
    calling away despair
    eternal promise
    everything changes and ends”

    8., bell hooks

  • AG2021_2060860ab or stepped into the consequence

    AG2021_2060860ab

    “each morning you said yes, then stepped into the consequence.”
    “The clarity of a physical emotional response.”

    -(KA)