dig

Category: exhibition

  • AG2025_1170336a and all

    AG2025_1170336a

    all of this
    is magic against death

    – Frank Stanford

  • Purple and Brass Apparition, View Park, Los Angeles

    Untitled (Purple and Brass Apparition), 2018.
    Archival pigment print. 9 ? x 14 inches.

    CAAMhrdwrkerAdlerGuerrier-14
    Installation view at CAAM, 2018.

  • A whisper

    PXL_20250724_162156158
    PXL_20250724_162217176

    Yessica Gispert, Susurro, Frost Art Museum.

    Literata

    Literata, via TypeTogether, comes with a SIL OFL License, released in 2015.

  • The Alluring Power of Ambiguity

    Der Greif Guest Room : Joshua Chuang & Barney Kulok

    The Edge of Desire, Jorge Rodriguez. On Evelyn Sosa.

    Yessica Gispert, Susurro. Patricia & Phillip Frost Art Museum.

    Agustín Fernández, The Alluring Power of Ambiguity. Patricia & Phillip Frost Art Museum.

    France will recognise a Palestinian state in September at the UN general assembly, Emmanuel Macron has said. Guardian.

  • AG2025_2030239a or unless forever is here

    AG2025_2030239a

    Contemporary Art Library – Park McArthur at mumok, Vienna and Museum Abteiberg, Mönchengladbach

    Images courtesy of the artist, MUMOK, Vienna; Museum Abteiberg, Mönchengladbach. Photos by Simon Vogel.

    You won’t feel like this forever, unless

               forever is here.

    From “De Jure Sanguinis”, Kiki Petrosino

  • Evelyn Sosa

    Mahara+Co is pleased to present No Place is Far Away , a solo exhibition by Cuban photographer Evelyn Sosa, on view from May 10 – June 6, 2025. In this deeply intimate and political series, Sosa constructs a living archive of the migratory experience. The exhibition emerges from a project supported by the Cuban Migrant Artists Resilience Fellowship, granted by Artists at Risk Connection (ARC) and PEN International.

    Rooted in a seemingly simple question — “What object did you take with you when you emigrated?“ — Sosa opens a window into memory, loss, and the emotional gravity of displacement. Each image in the series portrays a personal belonging filled with history and significance: a piece of clothing, a photograph, a letter, a seed. These modest, almost minimal objects serve as emotional anchors — fragments of home that persist across time and distance. They are not merely material remnants, but silent witnesses to identities that refuse to vanish.

    Far from a purely documentary approach, No Place is Far Away delves into the sensory and emotional dimensions of migration. Photography becomes a mode of listening: portraits of objects are interwoven with fragments of real-life testimonies, creating a liminal space where past and present gently meet. As Paul Ricoeur once wrote, “memory is not a neutral archive,” a sentiment Sosa affirms in each image — each one an act of evocation, resistance, and care.

    While firmly rooted in the Cuban migratory experience, the series resonates on a universal level. In a world increasingly shaped by displacement, this body of work asks: How does identity transform when territory disappears? What remains when everything else is gone?

    https://birdbird.tumblr.com/post/783926454178234368/evelyn-sosa-no-place-is-far-away-mahara-co-is

    Ningún lugar está lejos reviewed in Artburst, 050725.

  • spaces where time flickers

    Zura Lagarde, The Silent Pulse Beneath Still Stone, Artmedia Gallery, April 25 – July 30, 2025.

    “I perceive the spaces where time flickers—where déjà vu hums like a distant echo, where a breath feels borrowed from another life.”

    https://birdbird.tumblr.com/post/781494818206531584/via-invzuralagardejpg-at-artmedia-gallery
    AG2020_1890087a
    Untitled (Respite by San Sebastian)
    2020
    Archival pigment print
    15 x 10 inches

  • A place to stand and unfurl all that we see

    Through both this developmental and this structural model, psychoanalysis enacts an unprecedented science of mediation: a study of how language and norms inform desires; how desires can only make themselves legible in the distortions of parapraxes, dreams, fumbles, and symptoms; how the self is not self-evident but rather a product of social relations. With its conviction that psychic experience is socially produced, psychoanalytic theory can help explore the ways that circulation impresses upon the psyche: an overemphasis on instantaneous fluid exchange, an overabundance of images, an overweighting of presence, and overvaluing of identity can all preclude or fore-close the functioning of the symbolic. Representation slackens, and an unintegrable real impends. Immersion in the imaginary initiates all kinds of psychic dischord, from fantasies of self-possession and delusions of wholeness, to refusals of the other and proliferating dualities, to paranoiac gusts and polarized fluctuation. Each of these disorders vividly characterizes contemporary media culture and contemporary algorithmic logic.

    Anna Kornbluh