Category: exhibition

100 degrees in the shade
Carol Jazzar Contemporary Art
Friday, November 13th, 2015
158 NW 91 Street, Miami Florida 33150

Daniel Arsham
José Bedia
Leah Brown
William Cordova
Tomas Esson
Virginia Fifield
Robin Griffiths
Adler Guerrier
Mark Handforth
Jason Hedges
Susan Lee-Chun
Robert McKnight
Glexis Novoa
Michael Rodriguez
Tom Scicluna
Jerome Soimaud
Jen Stark

Music by Pocket of Lollipops

There has not been a definitive survey exhibition of South Florida Art presented since 2001.

Organized by independent curator Jane Hart, this expansive show will include an array of works in all media, by a selection of some of the finest artists of South Florida. Sculpture and installation works, painting, photography, mixed media and works on paper, as well as video and performance are included. The breadth of this exhibit will be both inclusive and discerning, with an emphasis on innovation, impact, and inspiration, in ways which are integral to the lush, tropical-urban environment that exemplifies South Florida.

There will be a total of over 160 participants, encompassing internationally and nationally known established, mid-career and emerging artists included.
A full color, hardcover 220 page book will be released by [NAME] Publications, designed by Misael Soto with texts by Erica Ando and Sandra Schulman.
Special assistance provided by Chris Ingalls and Nina Arias.

Untitled(participer aux luttes)
Graphite, ink, solvent-transfer on paper.
30 x 42 inches
2015

Untitled (Gnomon with a lateral penchant)
2015
Graphite, enamel paint, steel, reclaimed wood and plywood
11 x 10 x 13.5 inches

Part of “The devil is in the details”, curated by Jesu?s Fuenmayor at KaBe Contemporary.

KaBe Contemporary presents, The devil is in the details,  group exhibition curated by Jesus Fuenmayor.

September 17 –  November 20, 2015.

Ivan Argote, Arocha + Schraenen, Lothar Baumgarten, Matthew Buckingham, Elena Damiani, Adler Guerrier, Jorge Pedro Nunez, Edgar Orlaineta, Laercio Redondo, Matheus Rocha Pitta, Sergio Vega.

“The devil is in the details”, curated by Jesus Fuenmayor, will be on view from September 17th to November 20th, 2015 and includes 25 pieces by 11 internationally recognized artists who share a common experience of dealing with historical issues and historiographic methodology as part of their practices, which have become an ever-present and driving force in contemporary art. The exhibition overlaps geographically and chronologically with artists of different generations from Germany, Brazil, Venezuela, Mexico, Argentina, Belgium, Colombia, Haiti, Peru, and USA, most of them emigrants who have found new places for the development of their careers.
The exhibition departs from the famous proverb “God is in the details” that has been attributed to such prominent figures as Aby Warburg and Mies van der Rohe. Warburg, who is widely considered the founder of modern art historiography on account of his well known Mnemosyne Atlas, use the proverb as his motto and his intended meaning was to highlight the importance of hard labor for reaching one’s goal as an art historian. On the other hand, Georges Didi-Huberman offers a more in depth interpretation of Warburg’s phrase and dialecticizes it in the following way: “a little devil always nestles in the (Warburg) atlas: that is, in the space of ‘intimate and secret liaisons’ between things or between figures. A devilish genie lies somewhere in the imaginative construction of the ‘correspondences’ and the ‘analogies’ between each particular detail.” As the curator of the exhibition Jesus Fuenmayor says, “I want this tribute to engage the famous proverb in its inverted sense: ‘The devil is in the details’ pretends to point towards those details’ appearances in a work of art that unexpectedly allow viewers to comprehend the work (and the history) in a different way, even when this reading betrays our expectations or completely twists a work’s initial intention.” Fuenmayor’s intends to draw attention to what Roland Barthes used to call the “Punctum”, that detail in an image that escapes its own structure, “shooting out like an ‘arrow’ towards the viewer”, as Barthes posited it.
The artists selected for this exhibition have turned to the representation of history not just as material itself but also as means by which to criticize how history is constructed. They are not just interested in the past tense or simply reviving archival strategies, but in putting the past in relation to the present and the future, creating overlapping temporalities that bring disparate moments together. With their constant recourse to montage, collage, assemblage and other politically loaded artistic gestures, the artists in this exhibition demonstrate how much room remains open for debate, dialogue and speech; sometimes we just need to pay attention to the details.

About the Curator
Jesus Fuenmayor is a curator based between New York and Gainesville. Fuenmayor has been the Director of CIFO, from 2012 to 2015. He was also the Director of Perife?rico Caracas, a contemporary art space from 2005 to 2012, where he organized more than 30 exhibitions. He was the advisor for “Ciudad Sensorial”, a program of urban interventions by artists which he founded for the Sucre Municipality in Caracas. He was an advisor to Museo Jacobo Borges, Caracas, 1992-1995; associate curator at Espacio 204, Caracas, 1995-1997 and held a post as a curator for the Museo Alejandro Otero, Caracas, in 2004.

About KaBe Contemporary
Founded in December 2009, KaBe Contemporary has been at the vanguard of Miami’s growing contemporary art scene. Located in the burgeoning Wynwood Arts District, KaBe has showcased a variety of emerging and established international contemporary artists. KaBe has produced shows featuring diverse practices such as painting, photography, video, sculpture and installation.

KaBe Contemporary •
223 NW 26th St. Miami FL 33127
P. +1 305 573 8142
F. +1 305 573 8144
www.kabecontemporary.com
news@kabecontemporary.com