Category: art

  • 011222165~2 or cuffed primly


    She laughed and leaned back in her chair. Crossed her legs at the ankles. Her trim dark jeans were cuffed primly back over brown wool socks. She had on half boots, all scuffed worn leather. Her jean jacket had a shearling fringe, mottled white and green.

    Colonial Conditions, Brandon Taylor (The Yale Review)

    The Aesthetics of Resistance. Peter Weiss. “The three volumes of the novel were originally published in 1975, 1978 and 1981. English translations of the three volumes have been published by Duke University Press, in 2005, 2020 and 2025.”

    The Aesthetics of Resistance, Volume I
    Translator: Joachim Neugroschl
    Foreward: A Monument to Radical Instants / Fredric Jameson

  • in the back patio /of his mind


    He lies if they ask him
    how he does it.

    To leap on top
    or to the side.

    To dodge the ceaseless
    lottery.

    Imperceptible,
    in the back patio
    of his mind
    ,
    a plant opens,
    a succulent
    of accomplishment
    .

    I., Luis Muñoz. Translated from the Spanish by Idra Novey & Garth Greenwell

  • you and you and a third


    From no nowhere not near the sea
    on blue field flax
    the cemetery's absolutely solitary
    you and you and a third

    of a pound of bread
    for supper in the refectory
    where I would die of hunger
    if you--if soon--if on this unday--one

    undoing would be undone

    Unday, Fanny Howe
  • Rather glass that’s taught by patient labor


    What is poetry? Is it a mosaic 
    Of coloured stones which curiously are wrought 
    Into a pattern? Rather glass that’s taught 
    By patient labor any hue to take 
    And glowing with a sumptuous splendor, make 
    Beauty a thing of awe;
    where sunbeams caught, 
    Transmuted fall in sheafs of rainbows fraught 
    With storied meaning for religion’s sake. 

    Fragment, Amy Lowell


    We two, how long we were fool’d,
    Now transmuted, we swiftly escape as Nature escapes,
    We are Nature, long have we been absent, but now we return,
    We become plants, trunks, foliage, roots, bark,
    We are bedded in the ground, we are rocks,
    We are oaks, we grow in the openings side by side,
    We browse, we are two among the wild herds spontaneous as any,
    We are two fishes swimming in the sea together,
    We are what locust blossoms are, we drop scent around lanes mornings and evenings,
    We are also the coarse smut of beasts, vegetables, minerals,
    We are two predatory hawks, we soar above and look down,
    We are two resplendent suns, we it is who balance ourselves orbic and stellar, we are as two comets,
    We prowl fang’d and four-footed in the woods, we spring on prey,
    We are two clouds forenoons and afternoons driving overhead,
    We are seas mingling, we are two of those cheerful waves rolling over each other and interwetting each other,
    We are what the atmosphere is, transparent, receptive, pervious, impervious,
    We are snow, rain, cold, darkness, we are each product and influence of the globe,
    We have circled and circled till we have arrived home again, we two,
    We have voided all but freedom and all but our own joy.

    We Two, How Long We Were Fool’d, Walt Whitman

  • AG2019_1570479a or a heart in port


    Wild Nights – Wild Nights!
    Were I with thee
    Wild Nights should be
    Our luxury!

    Futile – the winds –
    To a heart in port –
    Done with the compass –
    Done with the chart!

    Rowing in Eden –
    Ah, the sea!
    Might I moor – Tonight –
    In thee!

    Wild Nights—Wild Nights! (249), Emily Dickinson

  • Melvin Edwards

    Tomorrow’s Wind, 1991. Public Art Fund — Doris C. Freedman Plaza, February 17 – May 31, 1991.
    Thomas Jefferson Park. Materialism.nyc.

    https://birdbird.tumblr.com/post/813617526957293568/melvin-edwards-tomorrows-wind-1995at-thomas

    Before Words,” 1990. Public Art Fund — Brighter Days at DeCordova Sculpture Park and Museum, June 1, 2022 – April 30, 2023.

    Melvin Edwards, Before Words
    Public Art Fund at City Hall Park, New York City, May 4 to November 28, 2021.
    Photo: Nicholas Knight, Courtesy of Public Art Fund, NY.
    https://birdbird.tumblr.com/post/813616377486295040/melvin-edwards-before-words-1990-courtesy

    Melvin Edwards, Ausstellungsansicht Kunsthalle Bern, 2025. Foto: Cedric Mussano
  • but this was not

    You are a
    land I can’t
    stand leaving
    and can’t not.
    My party ship
    is pulling out.
    We all have
    hats. I try to
    toot some notes
    you’ll understand
    but this was not
    our instrument
    or plan.

    Party Ship, Kay Ryan


    https://thunderstruck9.tumblr.com/post/813179146363699200/john-ruskin-british-1819-1900-study-of-a-sprig

    New York Real Estate and the Ruin of American Art*, Josh Kline. October (2026) (195): 91–109. https://doi.org/10.1162/OCTO.a.539

    Isn’t X Beautiful!, Odette Elix England (The Ice Plant)

  • Let’s follow the itinerant


    I chart the psyche,
    observing how I
    force myself to speak
    to you, imagining that
    together we might
    transform a life.

    Why this need
    to document change,
    to reverse a mood,
    to carry forward the time
    when magnolias bloom?

    Let’s follow the itinerant we
    up and over the jonquil’s back,
    treading on its spilled bullion.

    April, Sally Van Doren