Public Art Tour, PortMiami, led by Miami-Dade County Art in Public Places–celebrating 50 years.





talked to spend desire,
worn exhausted from regret.
Continue our relationship apart
under surveillance, torture
In Public, John Wieners.
You've got to dig to dig it, you dig?
Public Art Tour, PortMiami, led by Miami-Dade County Art in Public Places–celebrating 50 years.





talked to spend desire,
worn exhausted from regret.
Continue our relationship apart
under surveillance, torture
In Public, John Wieners.

or—more simply—the speaking voice prompting the reader/witness/man who first sees the body in the thames to imagine adam—to try gobeyond the page/thames and understand who adam is.
The Lyric Adam, Gboyega Odubanjo, 2024.
Tokyo Rumando, via Galerie Echo 119.
Noguchi Rika, Small Miracles. Via Les Rencontres d’Arles. Aperture.

Localization. A leverage point. A position to place the lever.

Source: The Mack Stripped Bare, 1999 – Institute of Contemporary Art, Miami
The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), Marcel Duchamp, 1915-1923. Oil, varnish, lead foil, lead wire, and dust on two glass panels. Philadelphia Museum of Art.
The Bride Stripped Bare by Her Bachelors, Even (The Green Box), Marcel Duchamp, 1934. Box containing collotype reproductions on various papers. Edition: 112/300 from a deluxe edition of 20 + regular edition of 300. The Metropolitan Museum of Art.
The Artist Stripped Bare. Review of Duchamp’s Leg, exhibition at the Center for the Fine Arts and Neo-Dada: Redefining Art 1958-62, to the Art Museum at FIU, by Judy Cantor-Navas, Miami New Times, February 8, 1996.
The Band Stripped Bare. Article on the C60, grunge band, by Georgina Cardenas. Miami New Times, July 10, 1997.
The Mack, a 1973 American blaxploitation crime drama film directed by Michael Campus, starring Max Julien and Richard Pryor. Wikipedia. IMDB. Brother’s Gonna Work It Out (The Mack/Soundtrack Version), Willie Hutch.
Stripped, Christina Aguilera, 2002.
Support the Cultural Mission of Coral Gables Museum. Bid in their auction.



Ogun’s Return (Once Again… Statues Never Die), 2022
Inkjet print on Canson Platine Fibre Rag
Framed: 60 1/4 x 79 7/8 x 2 1/4 inches / 153 x 203 x 5.6 cm
Edition of 6 + 2 APs
One of the edition is in the Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez, the John S. and James L. Knight Foundation, and the PAMM Ambassadors for Black Art.

“Mais soudain il te tient le poème
Comme si ta volonté n’importait pas
Il te tient il est plus fort que toi
Il est sous ta peau
Il se cache dans ton sang”
Entre minuit et l’éternité, Kettly Mars