nodalmarker+flaneur

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Aria Dean argues the difficulty of black flânerie. But wandering may be utopian at levels beyond the utility. Its privilege may be, as des “gestes” artistiques, in the sphere of thought, language, and geography. A privilege that leans on a poetic, une poétique de la Relation : “l’imaginaire de mon lieu est relié à la réalité imaginaire des lieux du monde, et tout inversement.” (Édouard Glissant, Discours Antillais au Tout Monde)

AG2024_1134189a or in  many a poem about green

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Lawns  and  fields  and  hills  and  wide  old   velvet
sleeves, green things.  They stretch, fold, roll away,
unfurl  and  calm the  eye.  Look  lush  in paintings.
Battles are fought on greens.  Or  you could spread
a meal  and  sup.  How  secretly  they  lie,  floors  of
distant forests.  Next  comes  the grave,  in  many a
poem about green. But this is not a poem. This is a
billboard for frozen green peas.  Frozen green peas
are good for pain.

Short Talk on Pain, Anne Carson

another world just waiting

studio window

This is my first memory:
A big room with heavy wooden tables that sat on a creaky
       wood floor
A line of green shades—bankers’ lights—down the center
Heavy oak chairs that were too low or maybe I was simply
       too short
              For me to sit in and read
So my first book was always big

In the foyer up four steps a semi-circle desk presided
To the left side the card catalogue
On the right newspapers draped over what looked like
       a quilt rack
Magazines face out from the wall

The welcoming smile of my librarian
The anticipation in my heart
All those books—another world—just waiting
At my fingertips.

My First Memory (of Librarians), Nikki Giovanni