Category: landscape

  • What lives on

    He was as a god,
    stepped out of eternal dream
    along the boardwalk.

    He looked at my girl,
    a dream to herself and
    that was the end of them.

    They disappeared beside the sea
    at Revere Beach as
    I aint seen them since.

    If you find anyone
    answering their description
    please let me know. I need them

    to carry the weight of my life
    The old gods are gone. What lives on
    in my heart

    is their flesh
    like a wound,
    a tomb, a bomb.

    Billie, John Wieners


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  • AG2024_2100729a or On a fait ce qu’on pouvait

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    Lors d’un constat effectué au lendemain de l’attaque, des trousseaux de clés de la prison, des uniformes de police ainsi que des documents administratifs ont été retrouvés à même le sol, selon un des deux rapports obtenus par AyiboPost. Les cadenas et barrières pour la plupart étaient brisés.

    «On a fait ce qu’on pouvait», déclare à AyiboPost Pierre René François, le directeur de la DAP. «On n’avait pas seulement le pénitencier national à consolider», dit-il. «Il y avait aussi le palais national, la base de l’Unité Départementale de Maintien de l’Ordre (UDMO), le commissariat de Port-au-Prince, l’aéroport… les bandits étaient partout et ce n’était pas facile à gérer.»

    Widlore Mérancourt et Rolph Louis-Jeune for Ayibopost

    It is easy to criticize US/UN involvement in Haiti. But who will help in maintaining some sense of order? And how?

  • AG2023_1150374a or softened drama of fury and frenzy

    “you speak softened
    drama of fury and frenzy,
    quiet underbelly, light
    beaming into peaceful
    dark interrupted by
    minor collisions
    bodies were built
    to withstand.”

    Untitled for a Reason, Tara Betts


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  • AG2016_1040680 or to be a fool

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    who pays any attention 
    to the syntax of things

    […]

    wholly to be a fool
    while Spring is in the world

    Cummings

  • AG2024_1089181aab or rehearse freedom in our day-to-day lives

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    The Channeler, Anahid Nersessian, interviewed by Merve Emre, Episode Four of “The Critic and Her Publics”, March 12, 2024.

    “One of my aims is to create a space where a reader can take twenty minutes to engage with an object. Not to be too idyllic about it, but to me that’s freedom, and the more we can experience or rehearse freedom in our day-to-day lives, the more we can know what it might be on a grander scale.”

    “That reading would have to be something like the old saw from academic discourse around what’s called secularism. Nowadays nobody believes in God, in fairies, nymphs, anything, so we look at the world and see trees instead of animate beings that have souls. And this is very depressing for everyone. So, this seems to be an expression of that same idea—I don’t see magic in the world.”

  • AG2024_1089047a or needs in order to constitute itself

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    “the thing that cannot be fitted into a system but which nevertheless the system needs into order to constitute itself as a system” – Hubert Damisch through Rosalind Krauss on Agnes Martin via Nersessian’s Apostrophe : Clouds.

    “clouds synchronize the concrete with the immaterial” – AN

  • AG2024_1089292a

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    “That’s all man is: a creature you can feel pity for.”

    “So it’s death, then, and nothing more, that is the disappointing truth of every life?”

    The Most Secret Memory of Men: A Novel, Mohamed Mbougar Sarr, translated from French by Lara Vergnaud

  • 030724

    “The name says something about the being” Sarr