A gesturing towards William Carlos Williams’ well-tread dictum, “No ideas, but in things.”
A command, in both cases, to turn away from, and to return to.
Ann Pedone (?ntiphony, issue number one)
You've got to dig to dig it, you dig?
A gesturing towards William Carlos Williams’ well-tread dictum, “No ideas, but in things.”
A command, in both cases, to turn away from, and to return to.
Ann Pedone (?ntiphony, issue number one)
Then let not Winter’s ragged hand deface,
In thee thy summer, ere thou be distill’d:
Make sweet some vial; treasure thou some place
With beauty’s treasure ere it be self-kill’d.
That use is not forbidden usury,
Which happies those that pay the willing loan;
That’s for thyself to breed another thee,
Or ten times happier, be it ten for one;
Ten times thyself were happier than thou art,
If ten of thine ten times refigur’d thee:
Then what could death do if thou shouldst depart,
Leaving thee living in posterity?
Be not self-will’d, for thou art much too fair
To be Death’s conquest, and make worms thine heir.
This is not the year for palliatives. It is not the year for knowing what to do.
This is the year the planet grew smaller
and no country would consent to its defeat.

Lord,
when you send the rain,
think about it, please,
a little?
Do
not get carried away
by the sound of falling water,
the marvelous light
on the falling water.
I
am beneath that water.
It falls with great force
and the light
Blinds
me to the light.
Untitled, James Baldwin

the one whispering an old, old tune into the ear
of the other –?Baby, baby, don’t leave me this way.
[…]
It meant nothing to me?–?
then, at least?–?but did you know the collective noun
for swans is a lamentation? And is a lamentation not
its own species of song?
John Murillo, Upon Reading That Eric Dolphy Transcribed Even the Calls of Certain Species of Birds,

Folding Suns connects artists from the Western New York Region with those from Puerto Rico and the American South; it poses sun and water as real and metaphorical binding agents across geography, time, and identity.
Curated by: Pablo Guardiola
Pablo Guardiola is a visual artist. His work points to different modes of narration and how these are perceived and understood. Recently he curated with Yina Jiménez Suriel, one month after being known in that island (ways of working in the Caribbean). He is co-director of Beta-Local, an arts non-profit dedicated to support and promote contemporary art practices and aesthetic thought in Puerto Rico.
Featured Artists:
Genesis Baez
Chango4
Claudia Caremi
Adler Guerrier
Gregory Halpern
Ahndraya Parlato
Silas Rubeck
Paul B. Thulin
The Buffalo Institute for Contemporary Art, August 02, 2024 – September 21, 2024.
The Guggenheim Bilbao was hardly the first iconic building, but it was the first to be credited with a measurable economic spin-off. And while that temporarily elevated the status of architects to near deities, it proved detrimental in the long run. After the Guggenheim, architecture was never quite the same. A single building had defied all expectation, only for expectations to defy all of architecture ever since. Economic success became the measure of architecture’s quality, to which architecture, in turn, had no choice but to apply itself. Architecture found itself in debt to promises it didn’t make and ultimately can’t fulfill. After Bilbao, ambitious museum projects could only fail. And they did.
architect, verb The New Language of Building, Reinier de Graaf