the right flower for

AG2025_f507231000
2015

What’s the right flower for the ignored-

with-good-reason, the uninvited? A hydrangea,
head wide as a cabbage; or the bull thistle
wild along the roads; or a dandelion

Etiquette, Judson Mitcham


The Department of Homeland Security said on Friday that it would revoke the temporary legal status of more than 530,000 Cubans, Haitians, Nicaraguans and Venezuelans welcomed into the US under a Biden-era sponsorship process, according to a notice posted to the Federal Register and signed by the homeland security chief Kristi Noem.

The order cuts short a two-year “parole” program – known as CHNV – under Joe Biden that allowed 532,000 people who had arrived in the US since October 2022 with financial sponsors to obtain two-year work permits to live and work in the US. Noem’s notice said they will lose their legal status on 24 April.

The Guardian, 032125

orchids and boutonnieres

AG2021_2040444a
AG2021_2040444a or Untitled (Orchids and Boutonnieres–Charles Avenue) ii, 2009-2021. 30 x 22 inches. Colored pencil, graphite, ink, gouache, acrylic, enamel paint, collage, and solvent transfer on paper.

Come out, come close.
Why hide? Why deceive?

You are me and I am you.
Why get mired in me’s and you’s?

We are light upon light—
and the glass light passes through. 

Why muddy ourselves with a grudge?

Together, we are whole and complete.

[…]

There’s one spirit in countless bodies,
one oil in countless almonds,
one meaning in countless words 
uttered by countless tongues. 

Shatter the jugs. The water is one.

Steeped in union, the heart remembers 
a world beyond words.

Come out, come close., Jalal al-Din Rumi

a dirge a lamentation or AG2022_2030921a2

earth works

thick brown mud

clinging pulling

a body down

hear wounded earth cry

bequeath to me

the hoe the hope

ancestral rights

to turn the ground over

to shovel and sift

until history

rewritten resurrected

returns to its rightful owners

a past to claim

yet another stone lifted to

throw against the enemy

making way for new endings

random seeds

spreading over the hillside

wild roses

come by fierce wind and hard rain

unleashed furies

here in this untouched wood

a dirge a lamentation

for earth to live again

earth that is all at once a grave

a resting place a bed of new beginnings

avalanche of splendor

4., bell hooks. Appalachian Elegy: Poetry and Place


AG2022_2030921a2

AG2023_2080754a or a construct of the real

AG2023_2080754a

When the present seems to have abandoned the future, we need to observe the here and now more closely. These artists’ works are clear and detached, analytically precise and calm to present the state of affairs right now in all its complexity. In doing so, they undermine and refuse to comply with an omnipresent immediacy that manifests itself in the form of accelerated availability, speed, consumability, and instant legibility. Defying powerlessness and paralysis, the works address contemporary wars and their economic and political implications, dealing with climate change and socioeconomic power structures in various societies. Yet they invariably retain an awareness not only of our planetary present being permanently and repeatedly reconfigured from assorted constructions of the Real but also of the extent to which we are part of it all.

UNDERMINING THE IMMEDIACY curated by Susanne Pfeffer and Julia Eichler. MMK Frankfurt.