AG2025_1056101b or to have everything

AG2025_1056101b

Joan Didion, “Self-respect: Its Source, Its Power,” first published in Vogue, 1961.

people with self-respect have the courage of their mistakes. They know the price of things.

character—the willingness to accept responsibility for one’s own life—is the source from which self-respect springs.

To have that sense of one’s intrinsic worth which, for better or for worse, constitutes self-respect, is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference. If we do not respect ourselves, we are on the one hand forced to despise those who have so few resources as to consort with us, so little perception as to remain blind to our fatal weaknesses. On the other, we are peculiarly in thrall to everyone we see, curiously determined to live out—since our self-image is untenable—their false notions of us. We flatter ourselves by thinking this compulsion to please others an attractive trait: a gift for imaginative empathy, evidence of our willingness to give.


One throbbing pulse is shaking
    All Nature’s mighty frame,— 
The child its toys retaking,
    The ember’d grate its flame; 
Love, and folly, and madness,
    Petty aims, and grand, 
And fame, and hope, and gladness—
    To each one what he plann’d.

Still, whether loving or sighing,
    In the bridal garb or pall, 
We’re only drifting, flying
    To the final goal of all: 
We all seek what is ours,—
    A lad the joys of youth, 
A bee the daintiest flowers,
    Whilst I am seeking truth!

Truth, Victor Hugo

AG2025_DSF6669a or des regards noirs

AG2025_DSF6669a

Paris Noir, podcast.

Parisian syncretism – Art critic and curator Franck Hermann Ekra discusses the multiple influences of Cote d’Ivoire artist Ouattara Watts and his painting Divination, exhibited here.

A new Black Paris map – Haitian photographer Henry Roy presents the context of Regards noirs (Black Looks), a series of photographs taken in 1996.


Visite de l’exposition Paris noir avec Alicia Knock et Éva Barois de Caevel. 15min 13s. Centre Pompidou, Paris.


Haiti Inter documents performance on the last day of the show.

I felt her presence, by its spell of might

AG2025PXL_20250625_002141827.RAW-02.ORIGINALa
AG2025PXL_20250625_002141827.RAW-02.ORIGINALa

I heard the trailing garments of the Night     

Sweep through her marble halls!

I saw her sable skirts all fringed with light     

From the celestial walls!

I felt her presence, by its spell of might,     

Stoop o’er me from above;

The calm, majestic presence of the Night,     

As of the one I love.

Hymn to the Night, Henry Wadsworth Longfellow

Glimpses ineffable of things divine

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AG2025PXL_20250625_001616489.RAW-02.ORIGINALa

The subtlest strain a great musician weaves,
Cannot attain in rhythmic harmony
To music in his soul. May it not be
Celestial lyres send hints to him?
He grieves
That half the sweetness of the song, he leaves
Unheard in the transition. Thus do we
Yearn to translate the wondrous majesty
Of some rare mood, when the rapt soul receives
A vision exquisite
. Yet who can match
The sunset’s iridescent hues? Who sing
The skylark’s ecstasy so seraph-fine?
We struggle vainly, still we fain would catch
Such rifts amid life’s shadows
, for they bring
Glimpses ineffable of things divine
.

Limitations, Henrietta Cordelia Ray


Polls are now closed in New York City’s Democratic mayoral primary, a crowded race that has largely narrowed into a contest between Andrew Cuomo, the state’s former governor, and Zohran Mamdani, a state assemblyman and democratic socialist. ??