AG2025_2100255c or don’t you see

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“I love ya! I love ya all. Don’t act like that. You women. Stop it. Don’t act like that. Don’t you see I love ya? I’d die for ya, kill for ya. I’m saying I love ya. I’m telling ya. Oh, God have mercy. What I’m gonna do? What in this fuckin world am I gonna dooooo?” (TM)


Fragments d’histoire ou Hier et aujourd’hui : à la faveur d’une promenade dans les rues et aux environs de Fort-de-France. Baude, Théodore, 1866-1949. 1940. WikiSource. Manioc.

« Chaque pas sur un pont, sur une place rappelle un grand passé. À chaque coin de rue s’est déroulé un fragment de l’histoire ».

GŒTHE

Baude, le premier Martiniquais à recevoir, à titre civil, la cravate de commandeur de la légion d’honneur. 1940 (during the Vichy regime?).

A mooring

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she regarded it as a mooring, a checkpoint, some stable visual object that assured her that the world was still there; that this was life and not a dream.

Song of Solomon, Toni Morrison


Also, JV acquired …

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Untitled (At the still point of mottled formations and a scruple of compassion) viii

the right flower for

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2015

What’s the right flower for the ignored-

with-good-reason, the uninvited? A hydrangea,
head wide as a cabbage; or the bull thistle
wild along the roads; or a dandelion

Etiquette, Judson Mitcham


The Department of Homeland Security said on Friday that it would revoke the temporary legal status of more than 530,000 Cubans, Haitians, Nicaraguans and Venezuelans welcomed into the US under a Biden-era sponsorship process, according to a notice posted to the Federal Register and signed by the homeland security chief Kristi Noem.

The order cuts short a two-year “parole” program – known as CHNV – under Joe Biden that allowed 532,000 people who had arrived in the US since October 2022 with financial sponsors to obtain two-year work permits to live and work in the US. Noem’s notice said they will lose their legal status on 24 April.

The Guardian, 032125

orchids and boutonnieres

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AG2021_2040444a or Untitled (Orchids and Boutonnieres–Charles Avenue) ii, 2009-2021. 30 x 22 inches. Colored pencil, graphite, ink, gouache, acrylic, enamel paint, collage, and solvent transfer on paper.

Come out, come close.
Why hide? Why deceive?

You are me and I am you.
Why get mired in me’s and you’s?

We are light upon light—
and the glass light passes through. 

Why muddy ourselves with a grudge?

Together, we are whole and complete.

[…]

There’s one spirit in countless bodies,
one oil in countless almonds,
one meaning in countless words 
uttered by countless tongues. 

Shatter the jugs. The water is one.

Steeped in union, the heart remembers 
a world beyond words.

Come out, come close., Jalal al-Din Rumi

a dirge a lamentation or AG2022_2030921a2

earth works

thick brown mud

clinging pulling

a body down

hear wounded earth cry

bequeath to me

the hoe the hope

ancestral rights

to turn the ground over

to shovel and sift

until history

rewritten resurrected

returns to its rightful owners

a past to claim

yet another stone lifted to

throw against the enemy

making way for new endings

random seeds

spreading over the hillside

wild roses

come by fierce wind and hard rain

unleashed furies

here in this untouched wood

a dirge a lamentation

for earth to live again

earth that is all at once a grave

a resting place a bed of new beginnings

avalanche of splendor

4., bell hooks. Appalachian Elegy: Poetry and Place


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