Category: landscape

  • AG2026_1120538a or in their brevity to reach one another


    What things are steadfast? Not the birds.
    Not the bride and groom who hurry
    in their brevity to reach one another.
    The stars do not blow away as we do.
    The heavenly things ignite and freeze.
    But not as my hair falls before you.
    Fragile and momentary, we continue.
    Fearing madness in all things huge
    and their requiring.
    Managing as thin light
    on water. Managing only greetings
    and farewells. We love a little, as the mice
    huddle, as the goat leans against my hand.
    As the lovers quickening, riding time.
    Making safety in the moment. This touching
    home goes far. This fishing in the air.

    We Manage Most When We Manage Small, Linda Gregg


    What am I if not what happens
    when I try to run away?

    Water falls out of me like
    an opinion. I’m like a screen
    door banging between two rivers.

    Dear air, what’s inside me
    you’re so desperate to take?

    I put on the Atlantic like a sweater.
    My head bobs on the surface
    of a lake I’m named after.

    Where do I belong?
    My head asks. My body,
    exasperated, answers.

    Ode on Humidity, P. Scott Cunningham (Poetry, April 2026)

  • Melvin Edwards

    Tomorrow’s Wind, 1991. Public Art Fund — Doris C. Freedman Plaza, February 17 – May 31, 1991.
    Thomas Jefferson Park. Materialism.nyc.

    https://birdbird.tumblr.com/post/813617526957293568/melvin-edwards-tomorrows-wind-1995at-thomas

    Before Words,” 1990. Public Art Fund — Brighter Days at DeCordova Sculpture Park and Museum, June 1, 2022 – April 30, 2023.

    Melvin Edwards, Before Words
    Public Art Fund at City Hall Park, New York City, May 4 to November 28, 2021.
    Photo: Nicholas Knight, Courtesy of Public Art Fund, NY.
    https://birdbird.tumblr.com/post/813616377486295040/melvin-edwards-before-words-1990-courtesy

    Melvin Edwards, Ausstellungsansicht Kunsthalle Bern, 2025. Foto: Cedric Mussano
  • A lane of Yellow led the eye


    A lane of Yellow led the eye
    Unto a Purple Wood
    Whose soft inhabitants to be
    Surpasses solitude
    If Bird the silence contradict
    Or flower presume to show
    In that low summer of the West
    Impossible to know -

    Emily Dickinson
  • dexterous and fugitive


    Through the young and awkward hours
    my lady perfectly moving,
    through the new world scarce astir
    my fragile lady wandering
    in whose perishable poise
    is the mystery of Spring
    (with her beauty more than snow
    dexterous and fugitive

    my very frail lady drifting
    distinctly, moving like a myth
    in the uncertain morning
    , with
    April feet like sudden flowers

    From “Puella Mea” [Through the young and awkward hours], E. E. Cummings

  • where pleasure and beauty and hours fit into a life


    ‘… where pleasure and beauty and hours with no quantifiable practical result fit into the life of someone, […], who also cared about justice and truth and human rights and how to change the world.”

    “Even as ornament, flowers represent life itself, as fertility, mortality, transience, extravagance, and as such they enter our art, rites, and language.” – Rebecca Solnit, Orwell’s Roses.

  • but this was not

    You are a
    land I can’t
    stand leaving
    and can’t not.
    My party ship
    is pulling out.
    We all have
    hats. I try to
    toot some notes
    you’ll understand
    but this was not
    our instrument
    or plan.

    Party Ship, Kay Ryan


    https://thunderstruck9.tumblr.com/post/813179146363699200/john-ruskin-british-1819-1900-study-of-a-sprig

    New York Real Estate and the Ruin of American Art*, Josh Kline. October (2026) (195): 91–109. https://doi.org/10.1162/OCTO.a.539

    Isn’t X Beautiful!, Odette Elix England (The Ice Plant)

  • AG2026_1177989a or the commune form

    AG2026_1177989a

    As a form, it is both specific, that is, recognizable, and infinitely transmutable; it transforms itself easily to thrive in different times and places.

    Always situated in a particular place, a territory, a neighborhood, a forest, a specific milieu, the commune form is about “producing” spaces

    – Kristin Ross

  • 040326 or being okay with uncertainty

    “Let me start again. Paradox is not new. In this unsteady
    moment, being okay with uncertainty is what I
    need to do to have a calm sense of anything. “

    Abecedarian at the Threshold, Laura Van Prooyen (SWWIM)


    Winter Worm, Summer Grass, Mimosa Echard. Longlati Foundation.

    Arizona, John Edgar Wideman (NewYorker). Always!!


    The community programs obviously addressed real needs. Objectively, however, they were more important to the existence of the party as an organization than they were to the survival of the black community. Survival programs were originally instituted not only to serve the people but also to improve the party’s image in the black community by providing positive, disciplined activities for the membership.

    The Panther Party also envisioned the community programs as introducing socialism in practical and concrete terms. Donations solicited from businesses were a means of redistributing wealth from the haves to the have-nots.

    Survival pending revolution : the history of the Black Panther Party, Paul Alkebulan. 2007.