A place where time has crossed and left a breathy stain

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Here. We Are, here. Here, we are at a place for blck Longevity. Here, we will be.


All summer connotations fill this light,
a symmetry of different scales—the site
of fibrous silence, the velvet lace
of iris, alders the moon can ignite.
One feels the amplitude of grief, the pace
of oscillating stars, power in place
where time has crossed and left a breathy stain.
A body needs the weight and thrust of grace.
I want to parse the logic, spin and domain,
the structure mourning will allow, the grain
of certainty in two estates, the dance
of perfect order, flowing toward its plane.
That bird you see has caught a proper stance, 
unfaithful to its measure, a pert mischance
of divination on the move, the trace
of sacred darkness true to light’s advance.

Jay Wright, “Light’s Interrupted Amplitude” from The Guide Signs. Copyright © 2007 by Jay Wright. 

poem via PF – Black Arts Movement.

Bakehouse Rising, vol. 4 | December 2019

A newsletter featuring interviews led by Nicole Martinez, with Morel Doucet and with Adler Guerrier.

Screenshot_2019-12-09 Bakehouse Rising vol 4 December 2019

You might say that Haitian-born, Miami-based artist Adler Guerrier is a cultural anthropologist of sorts. Interested in place as a subject matter – both its aesthetic qualities and the role a society plays in shaping it – Guerrier employs photography, collage, and painting to illustrate the complexity of local terrain. Numerous themes frequently come to the fore – lush foliage, worn photographs, and gentle pastels excavate Miami’s Caribbean sensibility. Guerrier selects these motifs, which initially appear as nostalgic, as present interpretations of how this place came to be made. He layers them into one another to mirror the many cultures and customs that overlap in Miami.

Nicole Martinez, Bakehouse Rising, volume 4.