AG2017-DCG-DCLU_1110222a and there: whatever

AG2017-DCG-DCLU_1110222a

What I’m looking for
is an unmarked door
we’ll walk through
and there: whatever
we’d wished for
beyond the door.

What I’m looking for
is a golden bowl
carefully repaired
a complete world sealed
along cracked lines.

What I’m looking for
may not be there.
What you’re looking for
may or may not
be me. I’m listening for

the return of that sound
I heard in the woods
just now, that silvery sound
that seemed to call
not only to me.

What I’m Looking For, Maureen N. McLane

They were not kidding
when they said they were blinded
by a vision of love.

It was not just a manner
of speaking or feeling
though it’s hard to say

how the dead
really felt harder
even than knowing the living.

You are so opaque
to me your brief moments
of apparent transparency

seem fraudulent windows
in a Brutalist structure
everyone admires.

The effort your life
requires exhausts me.
I am not kidding.

They Were Not Kidding in the Fourteenth Century, Maureen N. McLane


David Begun

LL Cool J, Mama Said Punch You Out (David Begun Remix)

Place forms voice

as if it were a scene made-up by the mind, 
that is not mine, but is a made place,

that is mine, it is so near to the heart, 
an eternal pasture folded in all thought

Robert Duncan, Often I Am Permitted to Return to a Meadow

“The word “poet” derives from the ancient Greek ??????? (poietes) which translates simply enough as “a maker.” The word ???? (phren) can be translated as either “heart” or “mind.” The ancient Greeks thought the heart might be filled with the phantasms of all that we love, a kind of breath or pneuma, in Greek, that moves through the senses and embeds the image in the heart—a kind of pasture where we learn to think, learn to feel. We can imagine the poem as a fold in that eternal, internal pasture—a place that voice forms.”
Dan Beachy-Quick in Poetry.


AG2024PXL_20241111_204514310a
work in progress, 111124

Kendrick Lamar, wacced out murals

111124

Elvan Zabunyan, Réunir les bouts du monde. Art, histoire, esclavage en mémoire, Le Crédac. B42.

Roots to Fruits, Nº3 Congada, 2024. Memórias Congadeiras. Over the course of five decades, self-taught musician and ethnomusicologist Spirito Santo (1947) has produced hundreds of hours of audio recordings containing music, reports and interviews, many meters of black & white negatives and colored slides using amateur photographic equipment, such as polaroids, point-and-shoot cameras and K7 recorders, capturing unique moments of the cultural history of the Central African diaspora in Minas Gerais, Brazil.


Brownout by Phoenecia released April 19, 2001.