Plants are anything but passive.

“flowers represent life itself, as fertility, mortality, transience, extravagance, and as such they enter our art, rites, and language.”

“the garden is one way to ground yourself in the realm of the processes of growth and the passage of time, the rules of physics, meteorology, hydrology, and biology, and the realms of the senses.”

“Death is never an ending in nature.”

a garden is always a place of becoming, to make and tend one is a gesture of hope, that these seeds planted will sprout and grow, this tree will bear fruit, that spring will come, and so, probably, will some kind of harvest. It’s an activity deeply invested in the future.

Plants are anything but passive.

They made the world.

–Solnit


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111099589
Castillo de San Marcos, Saint Augustine

“The belief that goodness is built on a constructed absence, not-doing.”
“Grace, that dictionary. A place where every thing was attached to a meaning.”
“Fear made me work hard, get better. It’s a dirty fuel, but it works.”
“… read an Odyssey in a gasp, a Shahnehmeh in a sigh”
“I did know real, deep joy. […] my lifetime’s allotment”

–Kaveh Akbar

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AG2015_deeringestateIMG_0784

That’s when she found the tree,

the dark, crabbed branches

bearing up such speechless bounty,

she knew without being told

this was forbidden. It wasn’t

a question of ownership—

who could lay claim to

such maddening perfection?

[…]

I Have Been a Stranger in a Strange Land, Rita Dove

Surrealism and Us: Caribbean and African Diasporic Artists since 1940 organized by Curator María Elena Ortiz, at Modern Art Museum of Fort Worth, March 10, 2024 – July 28, 2024.

Centered on the intersection of Caribbean aesthetics, Afrosurrealism, and Afrofuturism, Surrealism and Us explores how Caribbean and Black artists interpreted a modernist movement. Artworks, framed within a pre-existing history of Black resistance and creativity, illustrate how Caribbean and Black artists reinterpreted the European avant-garde for their own purposes.