
Ignorance, he thought, and vanity. He hadn’t been alert early enough, hadn’t seen the signs jutting out everywhere around him. (TM)

You've got to dig to dig it, you dig?
Ignorance, he thought, and vanity. He hadn’t been alert early enough, hadn’t seen the signs jutting out everywhere around him. (TM)
it was the truest thing to say that there
are things in life that can’t be renounced
because renouncing them is to surrender
who we are and surrendering has never
been an option this is life this is life
this is our truest life
lo nuestro, ire’ne lara silva
I used to want to be a saint but I only became a poet.
I try not to do what I don’t want to do because of the love
That creeps into things even in their misery. I try to fly
Over what I feel and see it but sometimes I have no choice
And can only be it like an animal. I try to be honestly
Outside what does not include me and honestly inside
What does. I think a lot about what a dandelion in a junk heap
Does compared to a dandelion in a tender garden whose every
Leaf is beloved, and what such flowers which are weeds feel.
Things like that
Are what I think a lot about. Sometimes I think there isn’t any feeling
I like quite so much as the one I get
From having written a poem, a poem that I like. It’s a peaceful
Feeling that I can’t find any other way. Loving you doesn’t give
Me a peaceful feeling at all. Or writing to you. Or writing
At all, mostly. There is the panicking feeling I like of being about
To blow my brains out. Genocidal shame that makes me dream
Of stuffing my own organs in my mouth for sweetness when the opacity
Of certain people gives me a nauseating whiff of their dead
Souls. The worlds I had to cross to see this. The things I had to do
To myself to write this. The breeze on the fine white
Hairs of my typing forearms, the lupine flopped over
Out my window, another one bites the dust, another
Surrender to spring. It’s the new moon, and according
To all the art people who are into astrology lately it’s gonna
Be a good one. And it isn’t my window
At all. In two days it’ll be somebody else’s. But we’re
Together right now, like you and me, and right now
I love you completely
A Poem, Ariana Reines. Miami Rail, 2012.
The Rose, Ariana Reines. Graywolf Press, 2025. On the design of the cover.
Mix-up of self and other is much more easily achieved in language than in life,
Like eros, puns flout the edges of things.
(AC)
Birth, life, and death—each took place on the hidden side of a leaf. (TM).
Carissa Rodriguez, The Maid. 2018.
Metropolitan Museum. Single-channel video, color, sound, 12 minutes 22 seconds.
Mohsen Mahdawi, a legal permanent resident, has lived in the United States for 10 years and was arrested in Vermont. He has not been charged with a crime.
Title: The Guide (Éclaireur)
Artist: Hervé Télémaque (Haitian, Port-au-Prince 1937–2022 Paris)
Date: 1962
Medium: Oil on canvas
Dimensions: 51 3/16 × 76 3/4 in. (130 × 195 cm)
Classification: Paintings
Credit Line: Purchase, Bequest of Florene M. Schoenborn, by exchange, 2023
Object Number: 2023.136
Through both this developmental and this structural model, psychoanalysis enacts an unprecedented science of mediation: a study of how language and norms inform desires; how desires can only make themselves legible in the distortions of parapraxes, dreams, fumbles, and symptoms; how the self is not self-evident but rather a product of social relations. With its conviction that psychic experience is socially produced, psychoanalytic theory can help explore the ways that circulation impresses upon the psyche: an overemphasis on instantaneous fluid exchange, an overabundance of images, an overweighting of presence, and overvaluing of identity can all preclude or fore-close the functioning of the symbolic. Representation slackens, and an unintegrable real impends. Immersion in the imaginary initiates all kinds of psychic dischord, from fantasies of self-possession and delusions of wholeness, to refusals of the other and proliferating dualities, to paranoiac gusts and polarized fluctuation. Each of these disorders vividly characterizes contemporary media culture and contemporary algorithmic logic.
Anna Kornbluh