Serve God, love me, and mend.

Gray Catbird Dumetella carolinensis. (ebird)



Serve God, love me, and mend.

Much Ado About Nothing – Act 5, scene 2

SMU Symposium on Poetic Form 2026.

The second biannual SMU Symposium on Poetic Form will be held on the Southern Methodist University campus in Dallas on February 23 and 24, 2026. Once again, we look forward to a gathering of poets and scholars from around the world to discuss aspects of poetics such as rhyme, poetry and big data, sonnets, and newly invented forms. The 2026 Symposium will feature keynote poet Ada Limón and keynote scholar Anahid Nersessian. Plenary speakers will include Patience Agbabi, Stephanie Burt, Camille Dungy, Virginia Jackson, and Jahan Ramazani.

[Looking up at the stars, I know quite well]

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime
Though this might take me a little time.

The More Loving One, W. H. Auden



Architectonic


That [science] which treats of those conditions of knowledge which lie in the nature, not of thought itself, but of that which we think about?…?has been called?…?Architectonic, in so far as it treats of the method of building up our observations into system.
—Sir William Hamilton

…?one of which systems is a poem.

via Ed Roberson


i must be careful about such things as these.
the thin-grained oak. the quiet grizzlies scared
into the hills by the constant tracks squeezing
in behind them closer in the snow. the snared
rigidity of the winter lake. deer after deer
crossing on the spines of fish who look up and stare
with their eyes pressed to the ice. in a sleep. hearing
the thin taps leading away to collapse like the bear
in the high quiet. i must be careful not to shake
anything in too wild an elation.
not to jar
the fragile mountains against the paper far-
ness. nor avalanche the fog or the eagle from the air.

of the gentle wilderness i must set the precarious
words.
like rocks. without one snowcapped mistake.

be careful, Ed Roberson

My heaven deserting for another sphere

How like a star you rose upon my life, 
   Shedding fair radiance o’er my darkened hour! 
At your uprise swift fled the turbid strife 
   Of grief and fear,—so mighty was your power! 
And I must weep that you now disappear, 
   Casting eclipse upon my cheerless night— 
My heaven deserting for another sphere, 
   Shedding elsewhere your aye-regretted light.

An Hesperus no more to gild my eve, 
   You glad the morning of another heart; 
And my fond soul must mutely learn to grieve, 
   While thus from every joy it swells apart. 
Yet I may worship still those gentle beams, 
   Though not on me they shed their silver rain; 
And thought of you may linger in my dreams, 
   And Memory pour balm upon my pain.

Stanzas [How like a star you rose upon my life,], Mary Wollstonecraft Shelley


The lunar Gateway will be the first international space station around the Moon and will support the most distant human space missions ever attempted. The lunar outpost is being assembled for operation around the Moon, providing a place to live and work in lunar orbit. Whereas the International Space Station orbits Earth, the Gateway will orbit the Moon, acting as a base for scientific research of the deep space environment, a host for technology development and demonstration experiments, as well as a staging post supporting exploration missions to the lunar surface and beyond. 

In addition to payloads that will fly to this new space station, ESA is contributing three key elements to the Gateway: Lunar I-Hab, Lunar View and Lunar Link. Together, these provide a habitable space for astronauts, refuelling, storage and telecommunication capabilities, and windows to view space and the Moon. The Gateway will be assembled this decade, built as part of the Artemis programme in an international collaboration between ESA, NASA and the space agencies of Canada (CSA), Japan (JAXA) and the United Arab Emirates (MBRSC). 

Credits: ESA–A. Brancaccio

What’s just beyond

Charlayne Hunter-Gault interviewed Toni Morrison, 1987.


Being on the surface of a spherical planet, we find flatness conflates scale, distance, and time. Our relations to what is just beyond are illusionary, continually unfolding, and expansive. The horizon holds the counterpart to our here–real, ongoing, and seemingly determined. From there will emerge all utopian promises for justice, imaginaries for the enrichment of humanity, fully formed structures in the support a life, good fortune, and knowledge, and futures to be written. As we belong there, in equal parts to the here we find ourselves; we move about and maneuver in ways to reach for the enchanted from the complement realm.

Voyage autour de ma chambre

A Journey around my Room (Voyage autour de ma chambre) by Xavier de Maistre. via

  • French title: Voyage autour de ma chambre
  • Written 1790, first published in 1795
  • The French text of Voyage autour de ma chambre is available online
  • Translated by Stephen Sartarelli
  • Published in Voyage around my Room: Selected Works of Xavier de Maistre, which includes an Introduction by Richard Howard, Joseph de Maistre’s 1811 Preface, as well as two other works by Xavier de Maistre:
    • Nocturnal Expedition around my Room (see our review)
    • The Leper of the City of Aosta (see our review)
  • The new UK edition (Hesperus, 2004) was translated by Andrew Brown
  • The new UK edition has a Foreword by Alain de Botton

<IDENT chambre>
<IDENT_AUTEURS maistrex>
<IDENT_COPISTES mannonij>
<ARCHIVE http://www.abu.org/>
<VERSION 2>
<DROITS 0>
<TITRE Voyage autour de ma chambre (1794)>
<GENRE prose>
<AUTEUR de Maistre, Xavier>
<COPISTE Julien Mannoni (mannoni@worldnet.fr)>
<NOTESPROD>
EDITION 1839, orthographe respectée

http://abu.cnam.fr/

Public Domain Review (2017).



Vittorio Fortunati, “Du haut de leurs mansardes : le motif de l’isolement chez Baudelaire et Xavier de Maistre”, Revue italienne d’études françaises [Online], 14 | 2024, Online since 15 November 2024, connection on 17 February 2026. URL: http://journals.openedition.org/rief/13188; DOI: https://doi.org/10.4000/12oyy

Jacques Rancière, Courts Voyages au pays du peuple, 1990.