Author: dig

  • Then you hold life … between your palms

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    The Thing Is, Ellen Bass

    to love life, to love it even
    when you have no stomach for it
    and everything you’ve held dear
    crumbles like burnt paper in your hands,
    your throat filled with the silt of it.
    When grief sits with you, its tropical heat
    thickening the air, heavy as water
    more fit for gills than lungs;
    when grief weights you down like your own flesh
    only more of it, an obesity of grief,
    you think, How can a body withstand this?
    Then you hold life like a face
    between your palms, a plain face,
    no charming smile, no violet eyes,
    and you say, yes, I will take you
    I will love you, again.


    “crouched low and smiling”

    Songs (IV), E. E. Cummings

  • AG2026_1222307a or goes out

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    Goes out,

    comes back—

          the love life of a cat.

    [goes out comes back] by Kobayashi Issa, translated by by Robert Hass.


    Mosquito at my ear—

    does he think

          I’m deaf?

    [mosquito at my ear] by Kobayashi Issa, translated by by Robert Hass.


    From Screen to Paper: A Short Story About Why Artmedia Was Born by Gady Alroy.

  • You might as well love

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    The Facts of Life, Pádraig Ó Tuama

    That you were born

    and you will die.

    That you will sometimes love enough

    and sometimes not.

    That you will lie

    if only to yourself.

    That you will get tired.

    That you will learn most from the situations

    you did not choose.

    That there will be some things that move you

    more than you can say.

    That you will live

    that you must be loved.

    That you will avoid questions most urgently in need of

    your attention.

    That you began as the fusion of a sperm and an egg

    of two people who once were strangers

    and may well still be.

    That life isn’t fair.

    That life is sometimes good

    and sometimes even better than good.

    That life is often not so good.

    That life is real

    and if you can survive it, well,

    survive it well

    with love

    and art

    and meaning given

    where meaning’s scarce.

    That you will learn to live with regret.

    That you will learn to live with respect.

    That the structures that constrict you

    may not be permanently constricting.

    That you will probably be okay.

    That you must accept change

    before you die

    but you will die anyway.

    So you might as well live

    and you might as well love.

    You might as well love.

    You might as well love.

    .

    This poem appeared in Sorry For Your Troubles by Pádraig Ó Tuama, published by Canterbury Press Norwich, 2013.

  • AG2026_1233097b or a moral allegiance to the world

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    “Sandrine Bergès on philosophy‘s rigid and also porous spheres for public life and the home, via readings of Aristotle, Hierocles, and Musonius Rufus. (aeon)

    Hierocles the Stoic is famous among ancient philosophers for his account of Stoic oikeiôsis – moral development – as a progression through concentric circles starting from the desire for self-preservation to cosmopolitanism. Stoic moral development consists in first making oneself ‘at home’ in one’s body, then we reach out to those in the circles closest to us: parents and siblings, then to those farther from us – our other relatives and neighbours, our countrymen and women – and finally to the whole world. The concentric circles are important because they offer a clear and vivid explanation of what the Stoics mean when they declare that they owe moral allegiance to the entire world.


    Scotland 1 – Haiti 0

    New York Knicks, 2026 NBA Champions.

  • Things huge

    la première introduction en Bourse techno-fasciste de l’histoire

    Le succès de l’introduction en Bourse de l’entreprise spatiale est celui d’un capitalisme irrationnel, destructeur et violent.

    (Mediapart)


    Fearing madness in all things huge
    and their requiring.

    We Manage Most When We Manage Small, Linda Gregg


    In his address (30 January 1981), [CLR] James located Walter’s assassination within the context of the Seizure of Power. (Verso)


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  • AG2026_1222371a or the vision of youthful striving

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    […]

    Before the dawning
              Of my life;
    I was the river
    Forever winding
    To purple dreaming,
    I was the glowing
    Of youthful Springtime,
    I was the singing
    Of golden songbirds,—

    […]

    I was the vision
    Of youthful striving,
    I was the summer,
    I was the autumn,
    I was the All-time—
          I was love.

    Revery, Fenton Johnson


    “The quality of the gift depends on the sincerity of the giver.” (Ann Patchett)

  • Pleasure of the archive



    In the new place which will be also the old place we will save useful things neatly, with backups, but not too many, not too much. Everyone will train in some archives, teaching methods & learning our shared reverence for research which is reverence for knowledge which is reverence for community which is reverence for being which is reverence for this earth & all universes. We will keep kitchen archives & garden archives & comms archives & decisions archives & process archives & experiment archives & we will consult these archives when we need background or inspiration or instruction, or for pleasure, the great pleasure of the archive, the great archive of pleasure; we will call this art, how we spend our days & nights.

    Position Paper #53: National Archivist, Andrea Lawlor.


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  • I care, I care about it all

    “I care. I care about it all.

    It takes too much energy not to care… The why of why we are here is an intrigue for adolescents; The how is what must command the living. Which is why I have lately become an insurgent again.”

    -from Lorraine Hanshury’s play, The Sign in Sidney Brustein’s Window (1965)

    via Corita Kent (1918-1986), highly prized, 1967. Seen at Marciano Art Foundation.