You've got to dig to dig it, you dig?
“for nothing contributes so much to tranquillize the mind as a steady purpose” Mary Shelley
I hate how this unsummoned sigh-sound, sob-sound,
not sound really, feeling, sigh-feeling, sob-feeling,
keeps rising in me, rasping in me … (C. K. Williams)
We’re Not Fucking Around. Parapraxis Magazine, Issue 07, Romance.
“In our increasingly repressive present, where recognition collapses into surveillance and the individual is powerless to advance toward the political horizon she yearns for, desire has shifted its sights, revising not only its object but its subject. So we continue to fall in love with comrades here and elsewhere, with ships, drawings issued from the hands that try to play it through, with signs of life. And love, specific and depersonalized, is, as Assata Shakur reminds us, the very contraband in the hell we are living in. They don’t want us to have it, and for good reason.”
? Bakehouse turns 40 — and our Art Deco building turns 100!
We’re throwing a party to celebrate this double milestone with art, music, food, and dancing ?
? Artists’ Proof | 40/100 features:
• Exhibition Preview – “Bakehouse at Forty: Past, Present, Future”
• Open Studios with Bakehouse artists
• Drinks, food, and birthday treats
• Salsa under the stars with @clubsalsaz
• Film Screening by Juan Matos and Monica Sorelle
• Birthday Surprise treats by Zak The Baker
? Friday, November 7, 2025 | 7–10 PM
? Bakehouse Art Complex | 561 NW 32 ST, Miami
The Diplomat, Season 3, by Debora Cahn. Mostly A narrative storytelling, with barely a concurrent B story line. The Wylers are at their best when they are defining a diplomatic position, as the work informs their interpersonal dynamics.
MC Mitout, Je suis immense, Galerie Claire Gastaud.
Mimosa Echard. Facial, Amant, New York.
François Ghebaly is proud to present Zippers, Victoria Gitman’s latest exhibition at the Los Angeles gallery.
Precarious time is not only a time full of holes, increasingly marked by speed-ups and slow-downs, by transitions from work to unemployment, and by all kinds of part-time and temporary work. It is also a time when individuals live the intertwining of several heterogeneous temporalities – for example, that of wage-labour and that of study, of artistic creation and odd jobs from one day to the next; a time in which those who have been trained for one kind of work and do another, work in one world and live in another, proliferate. We can describe this time as composed of intervals, taking the word in a double sense: intermittent work, but also intervals between several temporalities. It is by starting out from these intervals that it is possible to think the new forms of interruption of the dominant time. (JR)
Sunny day. Richter at Fondation Louis Vuitton.
In and through this dramaturgy of gestures, perceptions, thoughts and affects, it becomes possible for the carpenter to create a spiral which, in the midst of the compulsion of working hours, initiates a different way of inhabiting time, a different way of keeping a body and mind in motion.
… shattering the hierarchy of times.
(JR)
Remember too: not all saying is true.
I have heard another story: how the Pont de l’Archevêché groans with the weight
of hundreds of padlocks, etched with promises made to eternity. What happens
when the language of the promise is wrong, when the word for “expensive” is
used instead of “love?”
the temporality of things that happen ‘one after another’ (JR)