Dig

  • 120824

    Romare Bearden, Untitled, 1980s(?). DC Moore Gallery.

    Thomas Allen, Ronchini.

    Teresa Gierzynska, Gunia Nowik Gallery.

  • AG2021_2030239aa or we take what we can

    AG2021_2030239aa

    For Cheryl Boyce-Taylor and her Malik, our Phife

    & I immediately think of Cheryl, her Malik, his beloved
    obsession with the team’s orange & blue, a sunset sky over

    this city. The ruckus of these players’ sweet grit, the desire they
    have to come in first. They rebound & strip like stickup

    kids. They pound the paint as if their feet were wrapped in
    Timbs, their lean torsos tattered & tapered in Coogi sweaters.

    This is New York. Bodega filled with the aroma of a good
    chopped cheese. Ambitions racing through our minds fast as

    the 2 train during rush hour. I watch the reverie on TV, as
    the Garden thrashes & quakes by the tectonic plate of our

    steadfast fandom. Don’t get it twisted, capitalism is dying

    & yet here I am rooting for boys bred to burn out their bodies
    to make billionaires more billions. Was this what Rome felt like

    toward the end? When the colosseums filled with gladiators
    stirred the masses into a frenzy. How the people hungered for

    food & freedom, but instead lost themselves in the carnal play
    of sacrifice—reliable warriors, safer to believe in than

    Caesar. No matter, I think Phife would’ve loved this team,
    unflappable & carefree, anti-establishment, uncompromising.

    What happens to the heart of a city when its people survive
    on air; that space between the flick of the wrist & the swish

    of a three-point buzzer beater? We fight for a win to fill
    the ache of losing: Palestine, Congo, Sudan, Ayiti. We take

    what we can, celebrate small victories until we win everything
    we thought we never could—

    As Capitalism Gasps for Breath I Watch the Knicks Game, Yesenia Montilla

  • 120624 or everything they say

    PXL_20241206_212523537

    Everything they say and write is a lie,
    about law and freedom, about equality
    and justice, in the rubble of the bombs
    we make and sell, in the silent cries
    of limbless orphans, in the night
    lit by white phosphorous and the
    relentless sound of buzzing drones.

    My Apologies, Ammiel Alcalay

  • 120524

    PXL_20241205_220501747

    Lucila Garcia de Onrubia at Calvaresi at Nada


    PXL_20241205_170059230
    Bakehouse

  • 120424 or a splash quite unnoticed this was

    PXL_20241204_191704664~2

    unsignificantly
    off the coast
    there was

    a splash quite unnoticed
    this was

    Landscape with the Fall of Icarus, William Carlos Williams

  • 120324

    MNP at Untitled Art Fair.

  • AG2024_1134128a or we smile and mouth with myriad subtleties

    AG2024_1134128a

    We wear the mask that grins and lies,
    It hides our cheeks and shades our eyes,—
    This debt we pay to human guile;
    With torn and bleeding hearts we smile
    And mouth with myriad subtleties,

    Why should the world be over-wise,
    In counting all our tears and sighs?
    Nay, let them only see us, while
         We wear the mask.

    We smile, but oh great Christ, our cries
    To thee from tortured souls arise.
    We sing, but oh the clay is vile
    Beneath our feet, and long the mile,
    But let the world dream otherwise,
         We wear the mask!

    Paul Laurence Dunbar


    presented by the Estate of Lynne Gelfman, December 2 – 22, 2024

  • As if … To Eden wandered in

    PXL_20241201_221031999
    Untitled (Flows and veils; garden syntactic arrangements of forms; they hold unknown, and therefore dangerous possibilities)

    As if some little Arctic flower,
    Upon the polar hem,
    Went wandering down the latitudes,
    Until it puzzled came
    To continents of summer,
    To firmaments of sun,
    To strange, bright crowds of flowers,
    And birds of foreign tongue!
    I say, as if this little flower
    To Eden wandered in —
    What then? Why, nothing, only,
    Your inference therefrom!

    Emily Dickinson