The Otolith Group on The Radiant
[soundcloud url=”https://api.soundcloud.com/tracks/174410758″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /] The Otolith Group at the Centre for Contemporary Art in Singapore as part of the Guggenheim UBS MAP Global Art Initiative
Coloniality: The Darker Side of Western Modernity
[soundcloud url=”https://api.soundcloud.com/tracks/180603748″ params=”auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true” width=”100%” height=”450″ iframe=”true” /] Walter Mignolo at the Guggenheim Museum
pedestrian bridge to vizcaya
Residence of Mr. and Mrs. Piere(sic) Liautaud
Title: Residence of Mr. and Mrs. Piere(sic) Liautaud
Architect: Robert Baussan
Architect: Albert Mangones
Building Date: 1942
Photograph date: ca. 1942-ca. 1955
via Cornell University Library on Flickr
Albert Mangones’s Le Negre Marron, bronze, 1968.
“Mardi-Gras” at Fort Liberté
Renee Green
Other Planes of There, 2014
Other Planes of There by Renee Green by Duke University Press
Begin Again, Begin Again, MAK Center
In Begin Again, Begin Again, Green continues to play with variables of time and location, space and things, amongst reflections on relays, delays, movement, exile, migration, displacement and reinvention, all allowing for the contemplation of what arises amid particular combinations in a variety of conditions.
Locally Sourced, Transformer at American University Museum
Cannonball contributed to the exhibition.
Locally Sourced (January 24 – March 15, 2015), the first exhibition in the Do You Know Where Your Art Comes From? series, provides an in-depth look at the extensive collections of six regionally focused CSA (Community Supported Art) and Flat File programs that seek to grow recognition and support for artists in their communities.