Lone Wolf and Cub: Sword of Vengeance by Kenji Misumi.
Dig
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Moten, Glissant
From “Geographies of Collaboration,” 2013. 20th century Congresses.
Moten speaks on self-determination and its problematic mandate for self-preservation or the protection of sovereignty.
Around 00:39:00, Moten refers to Glissant and attributes “consent not to be a single being” to him.
Glissant speaks on a lot; it is all gems.
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Nouns & Verbs
Campbell McGrath‘s newest book of poetry, Nouns & Verbs.
“…poetry is not going to save anybodies life…”
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Artists Open Miami
Bakehouse is participating in Artists Open, a Miami-Dade County-wide open studios day, Saturday, May 11, 11am–6pm, 561 NW 32nd Street, Miami, FL 33127.
Important Links— Artists Open Website: www.artistsopen.miami The website provides links to each location both via website and physical address.
Eventbrite event: https://www.eventbrite.
com/e/artists-open-tickets- 60728163572 Google Map linking all studio complexes. https://www.google.com/maps/d/
u/0/viewer?mid=1rmQI0SjJpeTrp_ wjwECPMw8wjfjVT-9U&ll=25. 753149722895206%2C-80. 23599304999999&z=11 -
Attendre, esperar, wait
A dance theater piece by Batanero::Guerrier, commissioned and presented through Miami Light Project’s Here & Now.
Images from Performance 050319.
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AG2019_1570670a or en el lugar donde esperamos
Definitely not props. But how do they function on stage, as part of a sculpture?
