…never travelled the landscape, but stayed inside it,
Where we commune
Mars’s Twin Peaks
The composite color frames that make up this “right-eye” image consist of seven frames, taken with different color filters that were enlarged by 500 percent and then co-added using Adobe Photoshop to produce, in effect, a super-resolution panchromatic frame that is sharper than an individual frame would be. This panchromatic frame was then colorized with the red, green, and blue filtered images from the same sequence. The color balance was adjusted to approximate the true color of Mars.
via NASA/JPL
AG2020_1990583a or for living,
claimed for living, aim for living, i’m for living, … we want to live,
TReC ZINE CLUB #5
#5 “Massive the blue”
Issued 2020.9.26
Print Laser/ Risograph
28pages
Size:A5
https://trec.theshop.jp/items/34261159
Miami Herald on this season in the arts
2020’s collision of crises reflected in artwork, on stages – and even on a billboard
George Fishman September 27, 2020 08:03 AM.
Miami artist Adler Guerrier’s dramatic double billboard mural “claimed for living, for love and trouble” was commissioned for the exterior of the Design District’s Moore Building, where it will remain for the next several months. The work combines poetic text with graphics and subtropical flora to explore the uncomfortable issues of race and class while evoking comfort and communion in the shelter of natural beauty.
Love to love
Urayoán Noel and Legna Rodríguez Iglesias
Kenning Editions presents a bilingual reading with Urayoán Noel and Legna Rodríguez Iglesias, to launch TÍTULO / TITLE, a book of poems by the Cuban poet, prose writer, and playwright Legna Rodríguez Iglesias, published for the first time in Spanish, and in English translation by Katherine M. Hedeen.
…she doesn’t write poetry anymore, she does dishes…
