Dig

  • A gift

    “I can’t remember the tale,
    but hear his voice still, a well
    of dark water
    , a prayer.”

    Li-Young Lee, The Gift

  • AG2023_1033856a or a kamal and Polaris guide the redress

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    Untitled (Field Guide–exposure to enchanted forms; a kamal and Polaris creating possibility), 2023. Graphite, gouache, cut vinyl, enamel paint, colored pencil, and collage on a Xerox Versant 80 print on Mohawk Superfine paper. 18.25 x 12 inches.

    A “kamal is one of the earliest navigational tools that used measuring altitude to determine latitude. The word kamal means “guide” in Arabic. […] Essentially, a kamal is a flat piece of wood with a string attached to the middle. The kamal uses the position of Polaris (the North Star) in the sky to help a sailor determine his latitude.”


    The North Star, newspaper founded and edited by Frederick Douglass.

    “…that the man who has suffered the wrong is the man to demand redress,—that the man STRUCK is the man to CRY OUT—and that he who has endured the cruel pangs of Slavery is the man to advocate Liberty.”


    “The stars are pinned between the leaves
    of the trees, and love is only a harbinger,

    signposts pointing the way
    in and out

    Cynthia Zarin, Field Guide


    The Point of Precision by Kathleen Stewart, 2016. This essay proposes a kind of critique aimed at approaching the improvisatory conceptuality of ordinary forms emergent in everyday life. Using a slowed ethnographic attention to the immanent aesthetics of objects, it argues that the singularities through which forms take place animate both event and perception.

  • AG2023_2080754a or palm metonymy

    AG2023_2080754a

    “…this
    is your moment–the one
    you’ll remember (the hot breath
    of August breeze, the sun
    white in the sky, the trickle of sweat
    on his neck
    […]
    Remember this is how the small survive”

    Laura Kasischke, Palm


    “Swords and Friendship the card says.
    Monday your lucky day, seven is rare.

    You will encounter a great, lasing friendship.
    The future beckons; your loves will prosper”

    John Waller, Hyeres Les Palmiers


    “The palm … is the show’s leitmotif: “a symbol of wealth, elegance, fertility, exoticism, and order,” Yto Barrada (Bindoun). Palm Project Manifesto (L’appartement 22).

    https://birdbird.tumblr.com/post/733918974579998720/yto-barrada-a-modest-proposa-2009
    https://birdbird.tumblr.com/post/733918512745267200/yto-barrada-palm-project-manifesto-the
    ex2013ct_ins_009
    Cinematheque Tangier, November 21, 2013 – May 18, 2014, Walker Art Center.
  • Am I a fraud?

    One of the complications of managing decline was nostalgia … this self-deceiving mood

    Only children think one person can ever wholly save another.

    … and perhaps, in some imagined utopia, … she could be met on even, common ground with a clever soul

    So much of life is delusion.

    – (ZS)

  • Tunnel

    Tunnel Projects, a small project room in a basement parking lot in Little Havana, Miami.

    Amanda Linares, In the Midst of All. Photo: _tunnel
  • Trying to Love the Whole World

    I Am Trying to Love the Whole World

    is such a public display of affection, a flex even,

    one the lone magpie staring back from the backside

    of a badly shorn sheep finds suspect. I flap my arms

    & blink three times. Bad luck to glimpse just one.

    Magpie being the only creature rumored to have

    refused the ark, preferring to perch high on the mast

    & curse the rain. I too keep rewinding this mixtape

    of the plague years until I can hear it snap like a tendon

    or a tent pole. The world stays busy out there, hammering

    itself into softer ground with a flat rock & yet, the sound

    of wind softly shaking the stars awake. My world

    I have missed your mouth, your morning

    breath coming round the wild garlic, your fat

    lilacs forgetting to be the flower of death.

    – Jenny Brown, I Am Trying to Love the Whole World


    Nothing today hasn’t happened before: 
    I woke alone, bundled the old dog
    into his early winter coat, watered him, 
    fed him, left him to his cage for the day 
    closing just now. My eye drifts 
    to the buff belly of a hawk wheeling, 
    as they do, in a late fall light that melts 
    against the turning oak and smelts 
    its leaves bronze. 
                                 Before you left, 
    I bent to my task, fixed in my mind
    the slopes and planes of your face; 
    fitted, in some essential geography,
    your belly’s stretch and collapse 
    against my own, your scent familiar 
    as a thousand evenings. 
                                           Another time, 
    I might have dismissed as hunger 
    this cataloguing, this fitting, this fixing, 
    but today I crest the hill, secure in the company 
    of my longing. What binds us, stretches:
    a tautness I’ve missed as a sapling, 
    supple, misses the wind.

    – Donika Kelly, I love you. I miss you. Please get out of my house.


    we are carried. 
    in bellies. in arms. 
    in love. in hope. 
    in caskets. in urns. 
    in grief. in memories. 
    our whole lives 
    and into the next 
    we are carried

    Sara Ria via IG

  • Legna Iglesias Rodríguez – Arrancaba las flores y se las comía

    El que flores mastica
    y flores traga
    y por tanto flores come
    de varios tipos
    y a todas horas
    no lo hace pensando
    en estar más cerca
    de la naturaleza
    lo hace pensando
    en el vacío interior
    el que piensa en el vacío
    no lo hace pensando
    lo hace sin querer.

    Legna Iglesias Rodríguez – “Arrancaba las flores y se las comía / Tearing Out and Eating Flowers” via Adrian Brinkerhoff Poetry Foundation and O, Miami.


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