“I can’t remember the tale,
but hear his voice still, a well
of dark water, a prayer.”
Li-Young Lee, The Gift

Untitled (Field Guide–exposure to enchanted forms; a kamal and Polaris creating possibility), 2023. Graphite, gouache, cut vinyl, enamel paint, colored pencil, and collage on a Xerox Versant 80 print on Mohawk Superfine paper. 18.25 x 12 inches.
A “kamal is one of the earliest navigational tools that used measuring altitude to determine latitude. The word kamal means “guide” in Arabic. […] Essentially, a kamal is a flat piece of wood with a string attached to the middle. The kamal uses the position of Polaris (the North Star) in the sky to help a sailor determine his latitude.”
The North Star, newspaper founded and edited by Frederick Douglass.
“…that the man who has suffered the wrong is the man to demand redress,—that the man STRUCK is the man to CRY OUT—and that he who has endured the cruel pangs of Slavery is the man to advocate Liberty.”
“The stars are pinned between the leaves
of the trees, and love is only a harbinger,
…
signposts pointing the way
in and out
Cynthia Zarin, Field Guide
The Point of Precision by Kathleen Stewart, 2016. This essay proposes a kind of critique aimed at approaching the improvisatory conceptuality of ordinary forms emergent in everyday life. Using a slowed ethnographic attention to the immanent aesthetics of objects, it argues that the singularities through which forms take place animate both event and perception.

“…this
is your moment–the one
you’ll remember (the hot breath
of August breeze, the sun
white in the sky, the trickle of sweat
on his neck
[…]
Remember this is how the small survive”
Laura Kasischke, Palm
“Swords and Friendship the card says.
Monday your lucky day, seven is rare.
You will encounter a great, lasing friendship.
The future beckons; your loves will prosper”
John Waller, Hyeres Les Palmiers
“The palm … is the show’s leitmotif: “a symbol of wealth, elegance, fertility, exoticism, and order,” Yto Barrada (Bindoun). Palm Project Manifesto (L’appartement 22).

One of the complications of managing decline was nostalgia … this self-deceiving mood
Only children think one person can ever wholly save another.
… and perhaps, in some imagined utopia, … she could be met on even, common ground with a clever soul
So much of life is delusion.
– (ZS)
Tunnel Projects, a small project room in a basement parking lot in Little Havana, Miami.

I Am Trying to Love the Whole World
is such a public display of affection, a flex even,
one the lone magpie staring back from the backside
of a badly shorn sheep finds suspect. I flap my arms
& blink three times. Bad luck to glimpse just one.
Magpie being the only creature rumored to have
refused the ark, preferring to perch high on the mast
& curse the rain. I too keep rewinding this mixtape
of the plague years until I can hear it snap like a tendon
or a tent pole. The world stays busy out there, hammering
itself into softer ground with a flat rock & yet, the sound
of wind softly shaking the stars awake. My world
I have missed your mouth, your morning
breath coming round the wild garlic, your fat
lilacs forgetting to be the flower of death.
– Jenny Brown, I Am Trying to Love the Whole World
Nothing today hasn’t happened before:
I woke alone, bundled the old dog
into his early winter coat, watered him,
fed him, left him to his cage for the day
closing just now. My eye drifts
to the buff belly of a hawk wheeling,
as they do, in a late fall light that melts
against the turning oak and smelts
its leaves bronze.
Before you left,
I bent to my task, fixed in my mind
the slopes and planes of your face;
fitted, in some essential geography,
your belly’s stretch and collapse
against my own, your scent familiar
as a thousand evenings.
Another time,
I might have dismissed as hunger
this cataloguing, this fitting, this fixing,
but today I crest the hill, secure in the company
of my longing. What binds us, stretches:
a tautness I’ve missed as a sapling,
supple, misses the wind.
– Donika Kelly, I love you. I miss you. Please get out of my house.
we are carried.
in bellies. in arms.
in love. in hope.
in caskets. in urns.
in grief. in memories.
our whole lives
and into the next
we are carried
Sara Ria via IG
El que flores mastica
y flores traga
y por tanto flores come
de varios tipos
y a todas horas
no lo hace pensando
en estar más cerca
de la naturaleza
lo hace pensando
en el vacío interior
el que piensa en el vacío
no lo hace pensando
lo hace sin querer.
Legna Iglesias Rodríguez – “Arrancaba las flores y se las comía / Tearing Out and Eating Flowers” via Adrian Brinkerhoff Poetry Foundation and O, Miami.
