Dig

  • Plants are anything but passive.

    “flowers represent life itself, as fertility, mortality, transience, extravagance, and as such they enter our art, rites, and language.”

    “the garden is one way to ground yourself in the realm of the processes of growth and the passage of time, the rules of physics, meteorology, hydrology, and biology, and the realms of the senses.”

    “Death is never an ending in nature.”

    a garden is always a place of becoming, to make and tend one is a gesture of hope, that these seeds planted will sprout and grow, this tree will bear fruit, that spring will come, and so, probably, will some kind of harvest. It’s an activity deeply invested in the future.

    Plants are anything but passive.

    They made the world.

    –Solnit


    AG2023_1066770a
  • 111099679 or delight in a margin

    111099679

    … habit of indirection; … to delight in a margin; … not something to do, but something to be experienced, and something to go through (ZS)

  • 111099589

    111099589
    Castillo de San Marcos, Saint Augustine

    “The belief that goodness is built on a constructed absence, not-doing.”
    “Grace, that dictionary. A place where every thing was attached to a meaning.”
    “Fear made me work hard, get better. It’s a dirty fuel, but it works.”
    “… read an Odyssey in a gasp, a Shahnehmeh in a sigh”
    “I did know real, deep joy. […] my lifetime’s allotment”

    –Kaveh Akbar

  • 022624

    IMG_20240226_080558_HDR

    I give my life to art because it stays.

    It’s what time doesn’t ruin.

    “Lord, increase my bewilderment.”

    — (KA)


    Rosa de la Cruz. Thank you.

  • 022524

    IMG_20240224_113613_HDR
    CEAM, Flagler College.
    IMG_20240225_074029_HDR
    Matanzas River, Saint Augustine, Florida.

  • Ponderable

    Invincible is my myopia, great is my waist, choral are my ideas,
    wingéd are my eyebrows, deep is my obscurity—who am I?

    Lyn Hejinian, Ponderable


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  • AG2024_1089209a or tell it slant

    AG2024_1089209a

    Tell all the truth but tell it slant —
    Success in Circuit lies
    Too bright for our infirm Delight
    The Truth’s superb surprise
    As Lightning to the Children eased
    With explanation kind
    The Truth must dazzle gradually
    Or every man be blind —

    Emily Dickinson

  • AG2015_deeringestateIMG_0784

    AG2015_deeringestateIMG_0784

    That’s when she found the tree,

    the dark, crabbed branches

    bearing up such speechless bounty,

    she knew without being told

    this was forbidden. It wasn’t

    a question of ownership—

    who could lay claim to

    such maddening perfection?

    […]

    I Have Been a Stranger in a Strange Land, Rita Dove

    Surrealism and Us: Caribbean and African Diasporic Artists since 1940 organized by Curator María Elena Ortiz, at Modern Art Museum of Fort Worth, March 10, 2024 – July 28, 2024.

    Centered on the intersection of Caribbean aesthetics, Afrosurrealism, and Afrofuturism, Surrealism and Us explores how Caribbean and Black artists interpreted a modernist movement. Artworks, framed within a pre-existing history of Black resistance and creativity, illustrate how Caribbean and Black artists reinterpreted the European avant-garde for their own purposes.