Dig

  • Weathervane

    “Minorities, since time began,
    Have shown the better side of man” – Dunbar

    Nawi at LACMA.

    nhc.noaa.gov Beryl and others might come this way.


    Terry Adkins, Roost, 2001. Spirit in the Land, PAMM.
  • Justice Sotomayor dissenting

    Supreme Court Docket No. 23–939, DONALD J. TRUMP, PETITIONER v. UNITED STATES


    JUSTICE SOTOMAYOR, with whom JUSTICE KAGAN and
    JUSTICE JACKSON join, dissenting.

    Today’s decision to grant former Presidents criminal im-
    munity reshapes the institution of the Presidency. It makes
    a mockery of the principle, foundational to our Constitution
    and system of Government, that no man is above the law.
    Relying on little more than its own misguided wisdom about
    the need for “bold and unhesitating action” by the Presi-
    dent, ante, at 3, 13, the Court gives former President Trump
    all the immunity he asked for and more
    . Because our Con-
    stitution does not shield a former President from answering
    for criminal and treasonous acts, I dissent.

    […]

    The Court now confronts a question it has never had to
    answer in the Nation’s history: Whether a former President
    enjoys immunity from federal criminal prosecution. The
    majority thinks he should
    , and so it invents an atextual,
    ahistorical, and unjustifiable immunity that puts the Pres-
    ident above the law
    .
    The majority makes three moves that, in effect, com-
    pletely insulate Presidents from criminal liability. First,
    the majority creates absolute immunity for the President’s
    exercise of “core constitutional powers.” Ante, at 6. This
    holding is unnecessary on the facts of the indictment, and
    the majority’s attempt to apply it to the facts expands the
    concept of core powers beyond any recognizable bounds. In
    any event, it is quickly eclipsed by the second move, which
    is to create expansive immunity for all “official act[s].”
    Ante, at 14. Whether described as presumptive or absolute,
    under the majority’s rule, a President’s use of any official
    power for any purpose, even the most corrupt, is immune
    from prosecution. That is just as bad as it sounds, and it is
    baseless
    . Finally, the majority declares that evidence con-
    cerning acts for which the President is immune can play no
    role in any criminal prosecution against him. See ante, at
    30–32. That holding, which will prevent the Government
    from using a President’s official acts to prove knowledge or
    intent in prosecuting private offenses, is nonsensical.

    […]

    In sum, the majority today endorses an expansive vision
    of Presidential immunity that was never recognized by the
    Founders, any sitting President, the Executive Branch, or
    even President Trump’s lawyers, until now. Settled under-
    standings of the Constitution are of little use to the majority
    in this case, and so it ignores them.

  • AG2024_1130108a or too much—now depends on

    AG2024_1130108a

    The Case for Joe Biden Staying in the Race The known bad candidate is better than the chaos of the unknown. Jay Caspian Kang, New Yorker.

    David Remnick on the Case for Biden to Step Aside, New Yorker.

  • AG2024_1130107a or often concealed

    AG2024_1130107a

    The subjects of her portraits are often concealed by an out-of-focus blur. This blur is her most recognisable – and beguiling – technique. She achieves it, she says, by keeping the shutter open while holding the camera very still and hardly breathing. The filmmaker Arthur Jafa argues that the blur is an act of resistance, circumventing ‘the ability of photography to function as evidence’ since ‘you can’t identify anybody.’ According to Jafa, Smith is exercising her Black subjects’ ‘right to opacity’: their freedom from the scrutiny of white society. In Julius + Joanne, her subjects are simply bodies in motion, repositories of light.

    But Smith is also defending her own right to abstraction, to an expressiveness and lyricism that go beyond documentation.

    On Ming Smith, Adam Shatz
  • AG2023_1120272a or sights the dark earth offers

    AG2023_1120272a

    Some say thronging cavalry, some say foot soldiers,
    others call a fleet the most beautiful of
    sights the dark earth offers, but I say it’s what-
    ever you love best.

    …that reminds me now: Anactória,
    she’s not here,

    The Anactoria Poem, Sappho, translated by Jim Powell

  • Dedication

    IMG_20220913_171408_101
    Installation view shot via a phone camera by Caryl Ivrisse-Crochemar, 2022.

    Long may your glowing, useful days 
    Shine forth their bright illuming rays, 
    And to gloomy lives always 
        A happy thrill. 

    Lucian B. Watkins

  • always adheres

    Something barbaric always adheres to the deliberate destruction of a work of art” — Judge Michael Ponsor quoted in Stephanie Bailey’s article on Christoph Büchel for ArtReview (041424).


    Everyone’s entitled

    to her own magic bullet

    theory of self. There’s

    the get-to-know-you

    game we play …

    […]

    I play my game.

    I await the next campaign.

    Stylized Facts, Zoë Hitzig

    “… making it one of the most expensive liquid commodities in the world — after snake venom, Chanel No. 5, insulin, mercury, and human blood.” D.M. on HP OfficeJet Pro 9015e in The Drift : Isuue Twelve.


  • Behind the Ixora

    Support the Cultural Mission of Coral Gables Museum. Bid in their auction.

    Kathleen Hudspeth, “Behind the Ixora”, 2023. Oil and graphite on paper. 12″x9″.
    Kathleen Hudspeth, “Inundation, then the Sun”, 2023. Oil and graphite on paper. 12″x9″.